Friday 31 July 2009

A Wife’s Letter(āĻŦāĻ‰ āĻāĻ° āĻšিāĻ ি)

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To Thine Auspicious Lotus-Feet:
Today we have been married fifteen years, yet not until today have I written you a letter. I've always been close by your side. You've heard many things from me, and so have I from you, but we haven't had space enough to write a letter.
Now I'm in Puri on a holy journey, and you are wrapped up in your office work. Your relationship to
Calcutta is a snail's to its shell--the city is stuck fast to you, body and soul. So you didn't apply for leave. It was the Lord's desire, and so was His granting me my leave application.
I am Mejo-Bou, the second bride in your joint family. Today, fifteen years later, standing at the edge of the ocean, I understand that I also have other relationships, with the world and the World-Keeper. So I find the courage to write this letter. This is not a letter from your family's Mejo-Bou. Not from the second wife.
Long ago, in my childhood days--in the days when my preordained marriage to you was known only to the Omniscient One who writes our fates on our foreheads--my brother and I both came down with typhoid fever. My brother died; I survived. All the neighborhood girls said, "Mrinal's a girl, that's why she lived. If she'd been a boy, she couldn't have been saved." Jom-Raj is wise in his deadly robbery: he only takes things of value.
No death, then, for me. It is to explain this at length that I sit down to write this letter.
When your uncle--a distant relative--came with your friend Nirod to view your prospective bride, I was twelve. We lived in an inaccessible village where jackals would call even during the day. Fourteen miles from the railway station by ox-cart, then six more on an unpaved road by palanquin; how vexed they were. And on top of that, our East-Bengal cookery. Even now your uncle makes jokes about those dishes.
Your mother wanted desperately to make up for the plain appearance of the first bride with the good looks of the second. Otherwise why would you have taken all the time and trouble to travel to our distant village? In
Bengal no one has to search for jaundice, dysentery, or a bride; they come and cleave to you on their own, and never want to leave.
Father's heart began to pound. Mother started repeating Durga's name. With what offering could a country priest satisfy a city god? All they could rely upon was their girl's appearance. But the girl herself had no vanity; whoever came to see her, whatever price they offered for her, that would be her price. So even with the greatest beauty, the most perfect virtues, a woman's self-doubt can never be dispelled.
The terror of the entire household, even the entire neighborhood, settled like a stone in my chest. It was as if the day's sky, its suffusing light, all the powers of the universe were bailiffs to those two examiners, seizing a twelve-year-old village girl and holding her up to the stern scrutiny of those two pairs of eyes. I had no place to hide.
The wedding flutes wailed, setting the skies to mourn; I came to live in your house. At great length the women tabulated all my shortcomings but allowed that, by and large, I might be reckoned a beauty; and when my sister-in-law, my Didi, heard this, her face grew solemn. But I wonder what the need was for beauty; your family didn't love me for it. Had my beauty been molded by some ancient sage from holy
Ganga clay, then it might have been loved; but the Creator had molded it only for His own pleasure, and so it had no value in your pious family.
That I had beauty, it didn't take you long to forget. But you were reminded, every step of the way, that I also had intelligence. This intelligence must have lain deep within me, for it lingered in spite of the many years I spent merely keeping house for you. My mother was always very troubled by my intelligence; for a woman it's an affliction. If she whose life is guided by boundaries seeks a life guided by intelligence, she'll run into so many walls that she'll shatter her forehead and her future. But what could I do? The intellect that the other wives in the house lacked, the Lord in a careless moment had bestowed upon me; now whom could I return the excess to? Every day you all rebuked me: precocious, impertinent girl! A bitter remark is the consolation of the inept; I forgive all your remarks.
And I had something else, outside all the domestic duties of your household, something that none of you knew. Secretly I wrote poems. No matter if it was all rubbish, at least there the boundary wall of the inner compound could not stop me. There lay my freedom, there I could be myself. Whatever it was in me that kept your Mejo-Bou detached from your family, you didn't like it, didn't even recognize it; in all these fifteen years none of you ever found out that I was a poet.
Among the earliest memories that I have of your house, the one that comes to mind is of your cowshed. Right next to the stairway leading up to the inner rooms was the room where the cows were kept. The tiny courtyard in front was all the space they had to roam. A clay trough for their fodder stood in one corner of the courtyard. In the morning the servants had many thing to do; all morning the starving cows would lick at the edges of the trough, bite at it, take chunks out of it. My heart cried for them. I was a village girl: when I first arrived at your house, those two cows and three calves struck me as being the only friends I had in the entire city. When I was a new bride, I would give my food to them; when I grew older, bantering acquaintances, observing the attention I show the cows, would express their suspicions about my family and ancestral occupation: all cowherds, they said.
My daughter was born--and died. She called to me, too, to go with her. If she had lived, she would have brought all that was wonderful, all that was large, into my life; from Mejo-Bou I would have become Mother. And a mother, even confined to one narrow world, is of the universe. I had the grief of becoming a mother, but not the freedom.
I remember the English doctor's surprise upon entering the inner compound. When he saw the confinement room, he grew annoyed and began to scold. There is a small garden at the front of the house, and the outer rooms do not lack for furniture of decoration. The inner rooms are like the reverse of an embroidered pattern; on the inside there is no hiding the starkness, no grace, no adornment. On the inside the lights glimmer darkly, the breeze enters like a thief, the refuse never leaves the courtyard. The blemishes on the walls and floors are conspicuous and inerasable. But the doctor made one mistake; he thought this neglect would cause us sorrow. Just the opposite: neglect is like ashes, ashes that keep the fire hidden within but do not let the warmth die out. When self-respect ebbs, a lack of attention does not seem unjust. So it causes no pain. And that's why women are ashamed to experience grief. So I say: if this be your arrangement, that women will suffer, then it is best to keep them in neglect, as far as possible; with attention and love, suffering only grows worse. However it was, it didn't even occur to me to recall the existence of grief. In the delivery room, death came and stood by my head; I felt no fear. What is our life that we must fear death? Those whose life-bonds have been knotted tight with love and care, they flinch before death. If Jom-Raj had caught me that day and pulled, then, in the same way that a clump of grass can easily be pulled out from loose earth, roots and all, I too would have come out in his hand. A Bengali girl will wish for death on the slightest pretext, but where is the courage in such a death? I am ashamed to die--death is too easy for us.
Like an evening star my daughter glowed bright for a moment, then set. I fell again into my eternal routine and to my cows and calves. Life would have passed, slipping on in that way to the end, and today there would have been no need to write you this letter. But a tiny seed blown on the wind can lodge in a brick terrace and put down the roots of a peepul tree; in the end that seed can split open the heart of brick and stone. Into the set arrangements of my world a tiny speck of life flew from who knows where, and that started the crack. My elder sister-in-law's sister Bindu, mistreated by the cousin she lived with after the death of her widowed mother, came to your house to seek refuge with her sister. That day all of you thought, Why did this misfortune have to land at our doorstep? I have a contrary nature, so what could I do: when I saw that you were angry at her, my heart went out to this defenceless girl and I resolved to stand firm at her side. To have to seek shelter at another's house against their will-what an indignity that is. Even if we are forced to accept someone against our will, should we push them away, ignore them?
And I watched my Didi. Out of great compassion she had brought her sister Bindu in, but when she saw her husband's annoyance she began to pretend that Bindu's presence was an unbearable imposition on her too, and she'd be relieved to be rid of her. She couldn't muster up the courage to express her affection publicly for her orphaned sister. She was a very devoted wife. Observing her dilemma, I grew even more distressed. I saw her make the rudest arrangements for Bindu's food and clothing--and she ensured that everyone knew about it--and so demean her in every way, even engaging her in household chores as she would a housemaid, that I was not only sad but also ashamed. Didi was anxious to prove to everyone that our household had been fortunate in obtaining Bindu's services at bargain rates. The girl would work tirelessly, and the cost was minimal.
Didi's father's family had had nothing other than its high lineage: neither good looks nor wealth. How they fell at your father's feet, importuned him to take her into your family--you know all that. Didi herself has always thought of her marriage as a grave indignity to your family. That is why she tries in every way to draw herself in, not to impose; she takes up very little space in this house. But the virtuous example she set gave me a great deal of trouble. I could not humble myself in all ways as she had done. If I find something worthy, it's not my inclination to disparage it just to please someone else--you've had proof of this many times.
I drew Bindu into my room. Didi said, "The girl comes from a simple home, and Mejo-Bou is going to spoil her." She went around complaining to one and all as if my actions were putting the family in great peril. But I am sure that deep inside she was greatly relieved. Now the responsibility was mine. She had me display the affection towards her sister that she could not herself show, and her heart was lightened by it.
Didi always tried to leave a few years off Bindu's age. She was no less than fourteen, and it was just as well to mention this only in private. As you know, her looks were so plain that if she were to fall and crack her head against the floor, people would first concern themselves about the floor. In the absence of father and mother, there was no one to arrange a marriage for her, and besides, how many people would have the strength of their beliefs to marry someone who looked like her.
Bindu came to me in great fear, as if I might not be able to bear her touch, as if there were no reason for her having been born into this great universe. And so she would always shrink away as she passed, lower her glance as she walked by. In her father's house, her cousin had not even given her a corner in which an unwanted object might lie. Unwanted clutter makes its own space around the house, and people forget it's there; not only is an undesired person not wanted where she is, but while she's there she's also not easily forgotten, so there's no place for her even in the trash-heap. It could not be said that Bindu's cousins themselves were greatly desired by the rest of the world, though they were comfortably off.
When I brought Bindu into my room, she began to tremble. Her fear caused me great sorrow. I explained gently that there would always be a little space for her in my room.
But my room wasn't mine alone. So my task wasn't easy. And after only a few days she suffered a red rash on her skin. Maybe it was prickly heat, or something else; anyway, all of you decided it was smallpox.-After all, it was Bindu. An unskilled doctor from your neighborhood came and declared, It's difficult to say what it is without waiting another day or two. But who had the patience to wait another day or two? Bindu herself was half-dead from the shame of her ailment. I said, I don't care if it's smallpox, I'll stay with her in the confinement room, no one else will have to do anything. On hearing this, all of you gave me extremely menacing looks, even seemed poised to do me harm; Bindu's sister, feigning extreme displeasure, proposed sending her to the hospital. Soon, however, Bindu's rash faded away completely. Seeing this, you grew even more agitated. Some of you said, It's definitely smallpox, and it's settled in.-After all, it was Bindu.
There's one thing to be said for growing up neglected and uncared for: it makes the body ageless, immortal. Disease doesn't want to linger, so the easy roads to death are shut off. The illness mocked her and left; nothing at all happened. But this much was made clear: it is most difficult to give shelter to the world's most wretched. Whoever needs greatest shelter also faces the greatest obstacles to gaining it.
As Bindu's fear of me ebbed, another problem arose. She began to love me so much that it brought fear into my heart. I have never seen such an embodiment of love in real life; I've read of it in books, of this kind of intense attachment, and, there too, between women. Not for many years had I had occasion to remember that I was beautiful; that long-forgotten beauty had charmed this plain-looking girl. She'd stare at my face, and the hope and trust in her eyes would grow. She's say to me, "Didi, no one but me has seen this face of yours." She'd become upset when I tied my hair myself. She liked to play with my hair, arranging it this way and that. Apart from the occasional invitation, there was really no need for me to dress up. But Bindu was eager; and every day she would ornament me one way or another. She grew besotted with me.
There's not even a yard of free space in the inner compound of your house. Near the north wall, next to the drain, somehow a mangosteen had taken root. The day I saw its new leaves budding forth, bright red, I'd know that spring had truly touched the world. And when I saw-in the middle of my routine life-this neglected girl's heart and soul filling up with color, I realized that there was a spring breeze of the inner world as well, a breeze that came from some distant heaven, not from the corner of the alley.

 


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Neela Boudir dea sukh (āĻ¨ীāĻ˛া āĻŦৌāĻĻিāĻ° āĻĻেā§Ÿা āĻ¸ুāĻ–)

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āĻ†āĻŽি āĻāĻ‡āĻŸে āĻ‰āĻ āĻ˛েāĻ“ āĻ†āĻŽাāĻ° āĻ—াāĻ“ āĻ—āĻ¤āĻ° āĻ¤েāĻŽāĻ¨ āĻŦাā§œেāĻ¨াāĻ‡ āĻ›োāĻŸ āĻ–াāĻŸ āĻ—ā§œāĻ¨েāĻ° āĻšাāĻ˛āĻ•া āĻĒাāĻ¤āĻ˛া āĻĻেāĻš āĻ¸েāĻ‡ āĻœāĻ¨্āĻ¯েāĻ‡ āĻŽāĻ¨ে āĻšā§Ÿ āĻ†āĻŽাāĻ•ে āĻŦৌāĻĻিāĻ° āĻ¸াāĻĨে āĻĻিāĻ¤ে āĻ•াāĻ°ো āĻ•িāĻ›ু āĻŽāĻ¨ে āĻšā§Ÿ āĻ¨াāĻ‡ āĻŦৌāĻĻিāĻ“ āĻ†āĻĒāĻ¤্āĻ¤ি āĻ•āĻ°ে āĻ¨াāĻ‡āĻŦিāĻļাāĻ˛ āĻŦাā§œি āĻ¤াāĻ° āĻĻোāĻ¤āĻ˛াā§Ÿ āĻāĻ• āĻ•োāĻ¨েāĻ° āĻ˜āĻ°ে āĻŦৌāĻĻি āĻāĻ•া āĻĨাāĻ•ে āĻ•োāĻ¨ āĻ›েāĻ˛ে āĻĒুāĻ˛ে āĻ¨াāĻ‡āĻāĻ‡ āĻšāĻ˛ āĻŦোāĻ‰āĻĻি āĻ¨ীāĻ˛া āĻŦৌāĻĻিāĻ›োāĻŸ্āĻŸ āĻŽাāĻ¨ুāĻˇ āĻ¸াāĻ°া āĻĻিāĻ¨েāĻ° āĻ•্āĻ˛াāĻ¨্āĻ¤ি, āĻ°াāĻ¤ে āĻļোāĻŦাāĻ° āĻĒāĻ° āĻ¸াāĻĨে āĻ¸াāĻĨেāĻ‡ āĻ˜ুāĻŽāĻ°াāĻ¤ে āĻ•োāĻĨাā§Ÿ āĻ•াāĻ° āĻ¸াāĻĨে āĻ˜ুāĻŽিā§ŸেāĻ›ি āĻ•িāĻ›ুāĻ‡ āĻĻেāĻ–ি āĻ¨াāĻ‡ āĻŽাāĻ¨ে āĻŦোāĻ‰āĻĻি āĻ†āĻŽাāĻ•ে āĻ¸াāĻĨে āĻ•āĻ°ে āĻ¨িā§Ÿে āĻāĻ¸ে āĻŦিāĻ›াāĻ¨া āĻĻেāĻ–িā§Ÿে āĻŦāĻ˛েāĻ›িāĻ˛ো āĻāĻ‡āĻ¯ে āĻŦিāĻ›াāĻ¨া āĻ¤ুāĻŽি āĻļুā§Ÿে āĻĒāĻ°āĻ†āĻŽি āĻļুā§Ÿে āĻĒāĻ°েāĻ›িāĻ˛াāĻŽ āĻŦৌāĻĻি āĻ•āĻ–āĻ¨ āĻāĻ¸েāĻ›ে āĻŦা āĻāĻ¸েāĻ›িāĻ˛ো āĻ•িāĻ¨া āĻ•িāĻ›ুāĻ‡ āĻœাāĻ¨িāĻ¨াāĻ¸āĻ•াāĻ˛ে āĻ˜ুāĻŽ āĻ­াংāĻ˛ো āĻ¤āĻŦুāĻ“ āĻ‰āĻ āĻ¤ে āĻ‡āĻ›āĻ›া āĻšāĻ˛āĻ¨া āĻļুā§Ÿে āĻ°āĻ‡āĻ˛াāĻŽāĻ†āĻŽাāĻ° āĻŽāĻ¨ে āĻ†āĻ›ে āĻ¤āĻ–āĻ¨ো āĻŦৌāĻĻিāĻ•ে āĻŦিāĻ›াāĻ¨াā§Ÿ āĻĻেāĻ–ি āĻ¨াāĻ‡ āĻ†āĻŽি āĻāĻ•াāĻ‡ āĻ›িāĻ˛াāĻŽ āĻ˜āĻ°েāĻ“ āĻ†āĻ° āĻ•েāĻ‰ āĻ›িāĻ˛āĻ¨াāĻŦেāĻļ āĻ•িāĻ›ু āĻ¸āĻŽā§Ÿ āĻĒāĻ° āĻ¨িāĻšāĻ¤āĻ˛া āĻĨেāĻ•ে āĻĻিāĻĻিāĻ° āĻĄাāĻ• āĻļুāĻ¨āĻ˛াāĻŽ āĻ•িāĻ°ে āĻ¸ুāĻ§াāĻ™্āĻ—āĻļু āĻ‰āĻ েāĻ›িāĻ¸ āĻ†ā§Ÿ āĻĻাāĻĻা āĻšাāĻ¤āĻŽুāĻ– āĻ§ুā§Ÿে āĻ¨ে āĻ¨াāĻ¸্āĻ¤া āĻ–াāĻŦিāĻŦিāĻ›াāĻ¨া āĻĨেāĻ•ে āĻ‰āĻ ে āĻĻাāĻ°িā§ŸেāĻ›ি āĻ†āĻ° āĻ†āĻŽাāĻ° āĻšাāĻĢ āĻĒ্āĻ¯াāĻ¨্āĻŸāĻŸা āĻ¨িāĻšে āĻĒāĻ°ে āĻ—েāĻ˛ āĻ˛āĻœ্āĻœা āĻĒেāĻ˛াāĻŽ, āĻāĻĻিāĻ• āĻ¸েāĻĻিāĻ• āĻĻেāĻ–ে āĻŸেāĻ¨ে āĻ‰āĻ িā§Ÿে āĻ˛āĻ•্āĻˇ āĻ•āĻ°āĻ˛াāĻŽ āĻŦোāĻ¤াāĻŽāĻ—ুāĻ˛ি āĻ–োāĻ˛া āĻ…āĻŦাāĻ• āĻšāĻ˛াāĻŽ, āĻāĻŽāĻ¨ āĻšāĻ˛ āĻ•ি āĻ­াāĻŦে āĻ•āĻ–āĻ¨āĻ¤ো āĻāĻŽāĻ¨ āĻšā§ŸāĻ¨াāĻ‡āĻ¯াāĻ• āĻŦ্āĻ¯াāĻĒাāĻ°āĻŸা āĻ¤েāĻŽāĻ¨ āĻ—ুāĻ°ুāĻ¤্āĻŦ āĻĻিāĻ˛াāĻŽāĻ¨া āĻ¨িāĻšে āĻ¯েā§Ÿে āĻ¸āĻ•াāĻ˛েāĻ° āĻ•াāĻœ āĻ•āĻ°āĻŽ āĻ¸েāĻ°ে āĻĻিāĻĻিāĻ° āĻ•াāĻ›ে āĻ—েāĻ˛াāĻŽ āĻĻিāĻĻি āĻ†āĻŽাāĻ•ে āĻ›োāĻŸ্āĻŸ āĻļিāĻļুāĻ° āĻŽāĻ¤ āĻĒ্āĻ°াā§Ÿ āĻ•োāĻ˛ে āĻŦāĻ¸িā§Ÿে āĻ¨িāĻœ āĻšাāĻ¤ে āĻŽুāĻ–ে āĻ¤ুāĻ˛ে āĻ¨াāĻ¸্āĻ¤া āĻ–াāĻ‡ā§Ÿে āĻĻিāĻ˛, āĻĻিāĻĻি āĻ¸েāĻ‡ āĻ¯ে āĻŦিā§ŸেāĻ° āĻĒāĻ° āĻ­াāĻ°āĻ¤ āĻšāĻ˛ে āĻ—েāĻ›ে āĻ†āĻ° āĻĻেāĻ–া āĻšā§Ÿ āĻ¨াāĻ‡
āĻœাāĻŽাāĻ‡ āĻŦাāĻŦুāĻ° āĻ¸াāĻĨে āĻŽāĻŸāĻ° āĻŦাāĻ‡āĻ•ে āĻ•āĻ°ে āĻ¤াāĻ° āĻĻোāĻ•াāĻ¨ে āĻ—েāĻ˛াāĻŽ, āĻ¨āĻ¤ুāĻ¨ āĻœাā§ŸāĻ—া āĻ­িāĻ¨্āĻ¨ āĻĻেāĻļ āĻ­িāĻ¨্āĻ¨ āĻ¸āĻŦ āĻ•িāĻ›ুāĻ–ুāĻŦ āĻ†āĻ—্āĻ°āĻš āĻ¨িā§Ÿে āĻĻেāĻ–āĻ›ি āĻ˜ুāĻ°āĻ›ি āĻŦেāĻ°াāĻ›āĻ›ি āĻ†āĻ¨āĻ¨্āĻĻ āĻĒাāĻ›āĻ›ি, āĻœাāĻŽাāĻ‡ āĻŦাāĻŦুāĻ° āĻ¸াāĻĨে āĻ…āĻ¨েāĻ• āĻ˜ুāĻ°āĻ˛াāĻŽ āĻŦেāĻ°াāĻ˛াāĻŽāĻ°াāĻ¤েāĻ° āĻ–াāĻ“ā§Ÿা āĻĻাāĻ“ā§Ÿা āĻšā§Ÿে āĻ—েāĻ›ে āĻ…āĻ¨েāĻ• āĻ†āĻ—ে āĻ¨িāĻš āĻ¤āĻ˛াā§Ÿ āĻŦāĻ¸ে āĻ—āĻ˛্āĻĒ āĻ—ুāĻœāĻŦ āĻšāĻ˛ āĻĻিāĻĻি āĻŽা āĻŦāĻ˛āĻ˛ āĻ¯া āĻ¤ুāĻ‡ āĻ¸ুā§Ÿে āĻĒāĻ° āĻ—িā§Ÿে āĻŸো āĻŸো āĻ•āĻ°েāĻ›িāĻ¸ āĻ˜ুāĻŽ āĻĒাāĻ›āĻ›ে āĻ¯া, āĻĻিāĻĻিāĻ‡ āĻŦāĻ˛āĻ˛ āĻŦৌāĻĻি āĻ¤ুāĻŽি āĻ“āĻ•ে āĻ¨িā§Ÿে āĻ°েāĻ–ে āĻ†āĻ¸āĻŦে, āĻšāĻ˛ āĻŦāĻ˛ে āĻ†āĻŦাāĻ° āĻŦৌāĻĻি āĻ¸াāĻĨে āĻ•āĻ°ে āĻāĻ¨ে āĻ˜āĻ°ে āĻĸুāĻ•িā§Ÿে āĻĻিā§Ÿে āĻŦāĻ˛āĻ˛ āĻ¯াāĻ“ āĻ¤ুāĻŽি āĻļোāĻ“ āĻ†āĻŽি āĻ†āĻ¸āĻ›িāĻ†āĻŽি āĻļোāĻŦাāĻ° āĻāĻ•āĻŸু āĻĒāĻ° āĻŸেāĻ° āĻĒেāĻ˛াāĻŽ āĻŦৌāĻĻি āĻāĻ¸ে āĻļূā§ŸেāĻ›ে āĻ¤াāĻ°āĻĒāĻ° āĻ†āĻ° āĻ•িāĻ›ু āĻŽāĻ¨ে āĻ¨েāĻ‡āĻ¸্āĻŦāĻĒ্āĻ¨ে āĻĻেāĻ–āĻ›ি āĻ•ে āĻ¯েāĻ¨ āĻ†āĻŽাāĻ° āĻ˛িংāĻ— āĻ§āĻ°ে āĻŸাāĻ¨āĻ›ে, āĻŽāĻ¨ে āĻšā§Ÿ āĻ˜ুāĻŽ āĻ­েāĻ™্āĻ—ে āĻ—েāĻ˛ āĻĻেāĻ–ি āĻĒাāĻļে āĻŦৌāĻĻি āĻ¨েāĻ‡ āĻŦাāĻ‡āĻ°ে āĻĨেāĻ•ে āĻ†āĻ¸া āĻŽৃāĻĻু āĻ†āĻ˛োā§Ÿ āĻĻেāĻ–āĻ˛াāĻŽ āĻŦৌāĻĻি āĻ†āĻŽাāĻ° āĻ˜ুāĻŽāĻ¨্āĻ¤ āĻ˛িংāĻ—āĻŸা āĻšুāĻ¸āĻ›ে āĻ†āĻ° āĻ—োāĻ°াāĻ° āĻ˛োāĻŽে āĻŦাāĻš্āĻšাāĻĻেāĻ° āĻ¯েāĻŽāĻ¨ āĻ†āĻĻāĻ° āĻ•āĻ°ে āĻ¤েāĻŽāĻ¨ি āĻ†āĻĻāĻ° āĻ•āĻ°āĻ›ে āĻ†āĻŽাāĻ° āĻĒ্āĻ¯াāĻ¨্āĻŸ āĻšাāĻŸু āĻĒāĻ°āĻ¯āĻ¨্āĻ¤ āĻ¨াāĻŽাāĻ¨োāĻāĻ–āĻ¨ āĻ†āĻŽি āĻ—āĻ¤ āĻ°াāĻ¤েāĻ° āĻĒ্āĻ¯াāĻ¨্āĻŸ āĻ–োāĻ˛াāĻ° āĻ°āĻšāĻ¸ā§Ÿ āĻ…āĻ¨ুāĻŽাāĻ¨ āĻ•āĻ°āĻ˛াāĻŽāĻ†āĻŽাāĻ° āĻ“āĻŸা āĻ¤āĻ–āĻ¨ āĻĒ্āĻ°াā§ŸāĻ‡ āĻĻাāĻ°াāĻ¤ে āĻĻেāĻ–েāĻ›ি āĻ†āĻŦাāĻ° āĻāĻ•া āĻāĻ•াāĻ‡ āĻļাāĻ¨্āĻ¤ āĻšā§Ÿে āĻ¯েāĻ¤ āĻ•িāĻ¨্āĻ¤ু āĻ•েāĻ¨ āĻĻাāĻ°াā§Ÿ āĻ†āĻŦাāĻ° āĻ•ি āĻ•āĻ°েāĻ‡ āĻļাāĻ¨্āĻ¤ āĻšā§Ÿ āĻ¤া āĻŦুāĻāĻ¤াāĻŽ āĻ¨া, āĻ—োāĻ°াā§Ÿ āĻ˛োāĻŽ āĻ—āĻœিā§ŸেāĻ›ে āĻ•েāĻŽāĻ¨ āĻ¯েāĻ¨ āĻāĻ•āĻŸু āĻ—āĻ¨্āĻ§ āĻšā§ŸেāĻ›ে āĻ¯া āĻ†āĻ—ে āĻ›িāĻ˛ো āĻ¨াāĻ†āĻŽাāĻ° āĻŦেāĻ¸ āĻ­াāĻ˛োāĻ‡ āĻ˛াāĻ—āĻ›ে āĻ“āĻŸা āĻšুāĻ¸āĻ˛ে āĻ¯ে āĻāĻ¤ো āĻ­াāĻ˛ো āĻ˛াāĻ—ে āĻ¤া āĻ†āĻ—ে āĻ•āĻ–āĻ¨ āĻĻেāĻ–িāĻ¨ি āĻŦৌāĻĻি āĻ†āĻ°াāĻŽ āĻ•āĻ°ে āĻšুāĻ¸āĻ›েāĻ¯āĻ–āĻ¨ āĻ˛োāĻŽেāĻ° āĻ—োāĻ°াā§Ÿ āĻšাāĻ¤ āĻ°াāĻ–ে āĻ¤āĻ–āĻ¨ āĻ¸āĻ°িāĻ°āĻŸা āĻāĻ•āĻŸু āĻ•াāĻĒāĻ¨ āĻĻিāĻ›āĻ›ে āĻŽāĻ¨ে āĻšāĻ˛, āĻ¸ে āĻ…āĻ¨্āĻ¯ āĻ§āĻ°āĻ¨েāĻ° āĻ…āĻ¨ুāĻ­ুāĻ¤ি āĻ¤āĻŦে āĻŦেāĻ¸ āĻ‰āĻĒāĻ­োāĻ—্āĻ¯ āĻ­াāĻ˛োāĻ‡ āĻ˛াāĻ—āĻ›ে āĻ†āĻŽি āĻ˜ুāĻŽেāĻ° āĻŽāĻ¤ āĻĒāĻ°ে āĻ°āĻ‡āĻ˛াāĻŽ āĻŦāĻ‰āĻĻিāĻ° āĻ¯াāĻ¤ে āĻ•োāĻ¨ āĻ…āĻ¸ুāĻŦিāĻ§া āĻ¨া āĻšā§Ÿ āĻ¸āĻ°িāĻ°āĻŸাāĻ•ে āĻ¸েāĻ‡ āĻ­াāĻŦে āĻĒāĻœিāĻļāĻ¨ āĻ•āĻ°ে āĻĻিāĻ˛াāĻŽāĻ‰āĻ¨ি āĻāĻŦাāĻ° āĻ¸ুāĻŦিāĻ§া āĻĒেā§Ÿে āĻ¸āĻŽ্āĻĒুāĻ°āĻ¨ āĻ˛িāĻ™্āĻ—āĻ—āĻŸা āĻŽুāĻ–ে āĻ­āĻ°ে āĻ†āĻ°ো āĻœোāĻ°ে āĻœোāĻ°ে āĻšুāĻ¸āĻ›ে āĻāĻ• āĻšাāĻ¤ āĻĻিā§Ÿে āĻŦিāĻšিāĻ° āĻĨāĻ˛ি āĻ¨াāĻ°āĻ›েāĻ†āĻŽি āĻ•োāĻ¨ āĻ•িāĻ›ুāĻ° āĻ¸াāĻĨে āĻ¤ুāĻ˛āĻ¨া āĻšā§ŸāĻ¨া āĻāĻŽāĻ¨ āĻāĻ•āĻŸা āĻĒুāĻ˛āĻ• āĻ…āĻ¨ুāĻ­āĻŦ āĻ•āĻ°āĻ›িāĻœিāĻŦ āĻĻিā§Ÿে āĻ¤াāĻ˛ুāĻ° āĻ¸াāĻĨে āĻšেāĻĒে āĻ§āĻ°āĻ›ে āĻ•āĻ–āĻ¨ āĻŽাāĻ°িāĻ° āĻĻাāĻ¤েāĻ° āĻĢাāĻ•ে āĻĢেāĻ˛ে āĻšাāĻ˛āĻ•া āĻ•াāĻŽāĻ° āĻĻিāĻ›āĻ›ে āĻ†āĻŦাāĻ° āĻ¸াāĻŽāĻ¨েāĻ° āĻĻুāĻ‡ āĻĒাāĻŸিāĻ° āĻĻাāĻ¤ āĻĻিā§Ÿে āĻāĻ•েāĻŦাāĻ°ে āĻ—োāĻ°াā§Ÿ āĻšাāĻ˛āĻ•া āĻ•াāĻŽāĻ° 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āĻ°াāĻœি āĻ¨া āĻ†āĻŦাāĻ° āĻ•ি āĻ­াāĻŦে āĻļুāĻ°ু āĻ•āĻ°া āĻ¯াā§Ÿ āĻ­েāĻŦে āĻāĻ•āĻŸু āĻĒāĻ°েāĻ‡ āĻŦিāĻĒāĻ°িāĻ¤ āĻĻিāĻ•ে āĻ•াāĻ¤ āĻšāĻ¤ে āĻšাāĻ‡āĻ˛াāĻŽ āĻ‰āĻ¨ি āĻ†āĻŽাāĻ•ে āĻ“āĻĻিāĻ•ে āĻ˜ুāĻ°āĻ¤ে āĻĻিāĻ˛ো āĻ¨াāĻ†āĻŽাāĻ•ে āĻšিāĻ¤ āĻ•āĻ°েāĻ‡ āĻ¸েāĻŸ āĻ•āĻ°ে āĻ¨িāĻ˛ো āĻ†āĻ—ে āĻ¯েāĻŽāĻ¨ āĻ›িāĻ˛াāĻŽāĻāĻ‡ āĻŦাāĻ° āĻ†āĻ¸āĻ˛ āĻ–েāĻ˛া āĻļুāĻ°ুāĻ†āĻŽাāĻ° āĻ˛িংāĻ— āĻ¤āĻ–āĻ¨ āĻĻাāĻ°াāĻ¨োāĻŦৌāĻĻিāĻ° āĻĒা āĻ†āĻŽাāĻ° āĻŽাāĻĨাāĻ° āĻĻিāĻ•ে āĻšাāĻŸু āĻ­াāĻœ āĻ•āĻ°ে āĻ•াāĻ¤ āĻšā§Ÿে āĻ¤াāĻ° āĻŦাāĻŽ āĻ•āĻ¨ুāĻ‡āĻ¤ে āĻ­āĻ° āĻĻিā§Ÿে āĻ†āĻŦাāĻ° āĻĄাāĻ¨ āĻšাāĻ¤ে āĻ˛িংāĻ— āĻ¨াāĻ°āĻ˛ো āĻ•āĻ¤āĻ•্āĻˇāĻ¨ āĻ¤াāĻ°āĻĒāĻ° āĻ˛িংāĻ—āĻŸা āĻŽুāĻ–ে āĻ­āĻ°ে āĻ¨িā§Ÿে āĻ†āĻŽাāĻ° āĻŦাāĻŽ āĻšাāĻ¤ āĻ¤াāĻ° āĻĒেāĻŸিāĻ•োāĻŸেāĻ° āĻ­িāĻ¤āĻ°ে āĻ¨িā§Ÿে āĻ¤াāĻ° āĻ¯ৌāĻŖ āĻ•েāĻļে āĻ¨াāĻ°াāĻšাāĻ°া āĻ•āĻ°ে āĻ•িāĻ¸েāĻ° āĻ­িāĻ¤āĻ° āĻ¯েāĻ¨ āĻāĻ•āĻŸা āĻ†āĻ™্āĻ—ুāĻ˛ āĻĸুāĻ•িā§Ÿে āĻĻিāĻ˛ āĻ†āĻŽি āĻļুāĻ§ু āĻ†āĻ াāĻ˛ো āĻĒিāĻ›āĻ›িāĻ˛ āĻ°āĻ¸ে āĻ­েāĻœা āĻ†āĻ° āĻ—ā§œāĻŽ āĻ…āĻ¨ুāĻ­āĻŦ āĻ•āĻ°āĻ˛াāĻŽ āĻāĻŦং āĻ“āĻ–াāĻ¨েāĻ“ āĻ¯ে āĻ˛োāĻŽ āĻĨাāĻ•ে āĻ¤া āĻœাāĻ¨া āĻ›িāĻ˛োāĻ¨া āĻŦāĻ˛ে āĻ…āĻŦাāĻ• āĻšāĻ˛াāĻŽ āĻāĻ•āĻŸু āĻĒāĻ° āĻŦৌāĻĻি āĻ†āĻŽাāĻ° āĻŽুāĻ–েāĻ° āĻ•াāĻ›ে āĻāĻ¸ে āĻ†āĻŽাāĻ° āĻšোāĻ– āĻĻেāĻ–ে āĻ¨িāĻļ্āĻšিāĻ¤ āĻšāĻ˛ āĻ¯ে āĻ†āĻŽি āĻāĻ–āĻ¨ো āĻ˜ুāĻŽেāĻ†āĻŦাāĻ° āĻ†āĻŽাāĻ° āĻ–াāĻ°া āĻ˛িংāĻ— āĻāĻ•āĻŸু āĻŸিāĻĒে āĻŸুāĻĒে āĻ‰āĻ¨ি āĻ†āĻŽাāĻ° āĻ•োāĻŽāĻ°েāĻ° āĻĻুāĻ‡ āĻĒাāĻļে āĻĻুāĻ‡ āĻĒা āĻĻিā§Ÿে āĻ†āĻŽাāĻ° āĻ˛িংāĻ— āĻ§āĻ°ে āĻ†āĻ¸্āĻ¤ে āĻ†āĻ¸্āĻ¤ে āĻŦāĻ¸ে āĻ˛িāĻ™্āĻ—āĻŸা āĻ§িāĻ°ে āĻ§িāĻ°ে āĻ“āĻ‡āĻ¯ে āĻĒিāĻ›āĻ›িāĻ˛ āĻ­েāĻœা āĻ¯েāĻ–াāĻ¨ে āĻ†āĻ™্āĻ—ুāĻ˛ āĻĻিā§ŸেāĻ›িāĻ˛ো āĻ¤াāĻ° āĻ­িāĻ¤āĻ° āĻĸুāĻ•িā§Ÿে āĻĻিāĻ˛āĻ“āĻšāĻšāĻšāĻšāĻš āĻ¸ে āĻ¯ে āĻ•ি āĻ¸ুāĻ–, āĻāĻ¤োāĻ•্āĻˇāĻ¨ āĻ¯া āĻšā§ŸেāĻ›ে āĻ¤াāĻ° āĻšেā§Ÿে āĻ…āĻ¨েāĻ• āĻ…āĻ¨েāĻ• āĻ…āĻ¨েāĻ• āĻšাāĻœাāĻ° āĻšাāĻœাāĻ° āĻ—ুāĻ¨ āĻŦেāĻļি, āĻ˛িংāĻ—ে āĻ¯ে āĻāĻ¤ো āĻ¸ুāĻ– āĻ†āĻ›ে āĻ¤া āĻ•ি āĻœাāĻ¨া āĻ›িāĻ˛, āĻ†āĻŽি āĻ¸āĻš্āĻ¯ āĻ•āĻ°āĻ¤ে āĻ¨া āĻĒেāĻ°ে āĻ†āĻŽাāĻ° āĻ•োāĻŽāĻ°āĻŸা āĻāĻ•āĻŸু āĻ‰āĻĒāĻ°ে āĻ¤ুāĻ˛ে āĻĻিāĻ˛াāĻŽ āĻ†āĻ° āĻŦৌāĻĻি āĻ¨িāĻšু āĻšā§Ÿে āĻ†āĻŽাāĻ•ে āĻŦুāĻ•ে āĻšেāĻĒে āĻ§āĻ°āĻ˛েāĻ¨ āĻāĻ•āĻŸু āĻĒāĻ°ে āĻ†āĻŦাāĻ° āĻ›েāĻ°ে āĻĻিā§Ÿে āĻ‰āĻ ে āĻĻুāĻ‡ āĻšাāĻ¤ āĻ†āĻŽাāĻ° āĻ•াāĻ§েāĻ° āĻĒাāĻļে āĻ­āĻ° āĻĻিā§Ÿে āĻ•োāĻŽā§œ āĻĻুāĻ˛িā§Ÿে āĻĻুāĻ˛িā§Ÿে āĻ†āĻŽাāĻ° āĻ˛িংāĻ—āĻŸা āĻāĻ•āĻŦাāĻ° āĻāĻ•āĻŸু āĻŦেāĻ° āĻ•āĻ°ে āĻ†āĻŦাāĻ° āĻāĻ•āĻŸু āĻ§াāĻ•্āĻ•া āĻĻিā§Ÿে āĻ­িāĻ¤āĻ°ে āĻĸোāĻ•াā§Ÿ āĻāĻ‡āĻ°āĻ•āĻŽ āĻ…āĻ¨েāĻ•āĻ•্āĻˇāĻ¨ āĻ­āĻ°ে āĻšāĻ˛āĻ˛ āĻāĻ° āĻĒāĻ° āĻĻেāĻ–āĻ˛াāĻŽ āĻ†āĻŽাāĻ° āĻļ্āĻŦাāĻ¸ āĻĒ্āĻ°āĻļ্āĻŦাāĻ¸ āĻ˜āĻ¨ āĻšā§Ÿে āĻ†āĻ¸āĻ›ে, āĻ†āĻŽাāĻ° āĻ­ā§Ÿ āĻ•āĻ°āĻ›ে āĻ•ি āĻšāĻ˛ āĻ†āĻŽি āĻ•ি āĻŽāĻ°ে āĻ¯াāĻ›āĻ›ি, āĻ˛িংāĻ—āĻŸা āĻ¸াāĻ™্āĻ˜াāĻ¤িāĻ• āĻļāĻ•্āĻ¤ āĻšā§Ÿে āĻāĻ˛ো āĻ†āĻ° āĻŦৌāĻĻি āĻ¤āĻ–āĻ¨ āĻ†āĻ°ো āĻœোāĻ°ে āĻ‰āĻĒāĻ° āĻ¨িāĻš āĻ•āĻ°āĻ›েāĻ†āĻŽাāĻ° āĻ˛িāĻ™্āĻ—ে āĻ•াāĻĒāĻ¨ āĻļুāĻ°ু āĻšāĻ˛ āĻ§āĻ• āĻ§āĻ• āĻ§āĻ• āĻ§āĻ• āĻ•āĻ°āĻ›ে āĻ†āĻ° āĻ†āĻŽাāĻ° āĻ•োāĻŽোā§œāĻŸা āĻ†āĻŦাāĻ°ো āĻ†āĻ—েāĻ° āĻŽāĻ¤ āĻāĻ•āĻŸু āĻ‰āĻšু āĻšā§Ÿে āĻ—েāĻ˛, āĻ†āĻŽি āĻ†āĻŽাāĻ•ে āĻ¨ā§ŸāĻ¨্āĻ¤্āĻ°āĻ¨ āĻ•āĻ°āĻ¤ে āĻĒাāĻ°āĻ›িāĻ¨া, āĻ¸ে āĻ¯ে āĻ…āĻ¸āĻŽ্āĻ­āĻŦ āĻ°āĻ•āĻŽেāĻ° āĻāĻ•āĻŸা āĻ…āĻ¨ুāĻ­ুāĻ¤ি āĻ•েāĻŽāĻ¨ āĻ¸ুāĻ– āĻ¸ে āĻ•āĻĨা āĻ•ি āĻŦāĻ˛āĻŦ āĻ¸ে āĻ§āĻ°āĻ¨েāĻ° āĻ¸ুāĻ– āĻ•āĻ–āĻ¨ āĻĒাāĻ‡āĻ¨িāĻ˛িংāĻ— āĻ•াāĻĒāĻ¤ে āĻ•াāĻĒāĻ¤ে āĻ†āĻ¸্āĻ¤ে āĻ†āĻ¸্āĻ¤ে āĻ•েāĻŽāĻ¨ āĻ¯েāĻ¨ āĻ¨িāĻ¸্āĻ¤েāĻœ āĻšā§Ÿে āĻāĻ˛ো āĻ†āĻ° āĻ¸েāĻŸাāĻ•ে āĻ–াāĻ°া āĻ•āĻ°āĻ¤ে āĻĒাāĻ°āĻ›িāĻ¨াāĻŦৌāĻĻি āĻ¤āĻ–āĻ¨ āĻ†āĻŽাāĻ•ে āĻ›াāĻ°েāĻ¨াāĻ‡āĻ¯āĻ–āĻ¨ āĻ˛িংāĻ—āĻŸা āĻāĻ•েāĻŦাāĻ°ে āĻ¨েāĻ¤িā§Ÿে āĻĒāĻ°āĻ˛ āĻ¤āĻ–āĻ¨ āĻŦৌāĻĻি āĻ¯েāĻ–াāĻ¨ে āĻ­āĻ°ে āĻĻিā§ŸেāĻ›িāĻ˛ āĻ¸েāĻ–াāĻ¨ āĻĨেāĻ•ে āĻŦেāĻ° āĻšā§Ÿে āĻāĻ˛ো āĻ¤āĻ–āĻ¨ āĻŦৌāĻĻি āĻ†āĻŽাāĻ•ে āĻ›েāĻ°ে āĻ†āĻŽাāĻ° āĻĒাāĻ¸ে āĻ¸ুā§Ÿে āĻĒāĻ°āĻ˛āĻ†āĻŦাāĻ° āĻāĻ•āĻŸু āĻĒāĻ° āĻ‰āĻ ে āĻŦাāĻĨāĻ°ুāĻŽে āĻ—িā§ŸেāĻ›িāĻ˛āĻ†āĻŽাāĻ° āĻ˜ুāĻŽ āĻ†āĻ¸āĻ›িāĻ˛āĻ¨া āĻ•ৌāĻ¤āĻšāĻ˛ āĻšāĻ˛ āĻ˛িāĻ™্āĻ—ে āĻšাāĻ¤ āĻĻিā§Ÿে āĻ“āĻ‡ āĻ°āĻ•āĻŽ āĻĒিāĻ›āĻ›িāĻ˛ āĻ…āĻ¨ুāĻ­āĻŦ āĻšāĻ˛ āĻĒ্āĻ°āĻ¸্āĻ°াāĻŦ āĻ•āĻ°āĻ¤ে āĻ—িā§Ÿে āĻĻেāĻ–ি āĻ†āĻŽাāĻ° āĻĒুāĻ°ো āĻ˛িংāĻ—āĻŸাāĻ‡ āĻ­িāĻœে āĻ—িā§ŸেāĻ›িāĻ˛ āĻāĻ–āĻ¨ āĻļুāĻ•িā§Ÿে āĻ¯াāĻ›āĻ›ে āĻŦেāĻļি āĻ•āĻ°ে āĻĒাāĻ¨ি āĻĻিā§Ÿে āĻ§ুā§Ÿে āĻāĻ¸ে āĻ†āĻŦাāĻ° āĻļুā§Ÿে āĻĒāĻ°āĻ˛াāĻŽāĻ•াāĻ›েāĻ‡ āĻ•োāĻĨাāĻ“ āĻ˜āĻ¨্āĻŸা āĻŦাāĻœāĻ˛ āĻ°াāĻ¤ āĻĻুāĻ‡āĻŸা āĻļুā§ŸেāĻ‡ āĻ†āĻ›ি āĻŽৃāĻĻু āĻļāĻŦ্āĻĻে āĻŦৌāĻĻিāĻ° āĻ¨াāĻ• āĻĄাāĻ•āĻ›ে āĻ†āĻŽাāĻ° āĻĻিāĻ•ে āĻ•াāĻ¤ āĻšāĻ˛ āĻāĻ•āĻŸু āĻĒāĻ° āĻ†āĻŽāĻ•ে āĻšেāĻĒে āĻ§āĻ°āĻ˛ āĻ†āĻŽিāĻ“ āĻŽāĻ¨ে āĻšā§Ÿ āĻ¤āĻ–āĻ¨ি āĻ˜ুāĻŽিā§Ÿে āĻĒāĻ°েāĻ›িāĻ˛াāĻŽ


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Ratular chudachuder Golpo (āĻ°াāĻ¤ুāĻ˛েāĻ° āĻšুāĻĻাāĻšুāĻĻিāĻ° āĻ—āĻ˛্āĻĒ)

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hi all. bondhura sobai kamon aso? ami aj tomader akta sotti golpo sunabo. amar nam shudip dotto. ami moymonshing anondho mohon college a pori. amar bari jamalpur a. amar ghotonata suru amar ma k kendro kory. amar ma dekhty khub sundori. dud gula boro boro ar pasa bisal boro. ami amar ma k khub valobasi. amar baba jamalpur a akta chinemar hol ar manejar. baba sokaly kaje cole jay ar ase raty. amar akta choto vai ase o jamalpur zilla school a pore. o 12 tay school a jay ase bikal 5 tar por. akdin barity sudu ami ar ma. dupur bela ma bathroom a gosol korcilo ar ami ta dorjar futo dia dekhcilam. mar figar dekhlei je karo dhone karaiaa jaby. ma baluse ar petekot pora cilo. thn blause khule fello ar mone holo mar busal boro boro dud duto bra cire ber hoye asce, tarpor ma bra khuly fello waw ki sundor dud amr to dhone khara deikha. ami dhone ber kory handel mara suru kori. tarpor ma petekot khule fely sompurno negta hoye jay .ah ki bisal boro ar ucha pasa ar ki forsa. oh ki sundor mar voda. dekhy vison custe issa korcilo. tarpor mar gosol ses holy ami ghore ase TV dekha suru kori. ammu gosol ses kory amaky kete daky. tarpor duijon khaua daua ses kory ak shaty bisanay sue TV dekha suru kori, kinto amar chokh mar pasa ar dud ar diky tokhono amar dhone kharaiia ase. hotat ma upor hoye soy ami mar pasar upor uthy bosy ma k boli ma aj tomaky ador korty issa korse tomak aktu ador kori? ma muski hese boly koro. ami mar pasy amar dhone cepe dhore thap dity thaki ar ma k joraiaa dhori. aktu por ma bply amaky ador korso na amaky putki marso. ami lojja pai. tarpor ma boly tor jokhon amaky atoi chudar issa tokhon amaky bollei to partis.tarpor ami ma k chudi.

 

By Ratul(āĻ°াāĻ¤ুāĻ˛ āĻ•āĻ°্āĻ¤ৃāĻ• āĻĒাāĻ াāĻ¨ো)






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Thursday 30 July 2009

Manusher moulik chahida gulo ki ki(āĻŽাāĻ¨ুāĻˇেāĻ° āĻŽৌāĻ˛িāĻ• āĻšাāĻšিāĻĻাāĻ—ুāĻ˛ো āĻ•ি āĻ•ি?)

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Manusher moulik chahida gulo ki ki?" Shorashori Nipa'r chokher dike takiye prosno ta korlam ami. Tar chokher dike takanor ektai karon, she amar dike takiye ache ki na sheta bojhar chesta kora. Jodi she amar dike na takay taholei amar chokh shore jabe tar book er dike. Oi birat pahar dutor upor theke nojor shorano o kosto. jokhon normally dress pore ashe tokhon temon bojha jay na, kintu jedin Nipa t-shirt pore ashe shedin valovabei bojha jae or size ta. Ajke je t-shirt ta poreche sheta aro tight, beshi narachara korle nipple shuddho dekha jacche.

 Nipa'r figure valo - vorat pacha, chikon komor r valo height. mota, sexy, halka golapi duto thot r shampoo kora kalo lomba chule take ja lagchilo na...... amar dhon to r namtei chay na. "ki? jobab dile na? moulik chahida gulo ki ki?" abar prosno ta korlam ami. ebar book er dike takiye. "moulik chahidagulo holo...... khaddo, bostro, bashossthan, r.........." - Eva theme galo hotat. "arekta ki?" abar prosno korlam ami, chokh na shoriye. "r sex" - kapa kapa golay jobab dilo Nipa. shune to amar vimri khabar jogar. bole ki meye? chokh tule takiye dekhi amar dikei takiye ache Nipa, tar mane etokkhon amar nojor she valovabei follow korchilo. "kki?", jhajhalo golay prosno korlam abar. ebar shokto golay bollo Nipa - "sex, gotokal paper e ekta article e porechi. prothome onno, tarpor e naki sex.

 bostro r bashosthan aro pore .....". amar to chokh ulte jabar moto obostha. "kothay dekhi?", kono mote bollam ami. Nipa tar bishal dudh r pacha niye uthe galo, r jabar shomoy mone holo or pachar emon duluni age kokhono dekhini. amar mathay shobkichu kemon jot lege jacchilo. Nipa ke poracchi aj prae 4 mash hote chollo. konodin erokom kichu dekhini. aj ashar por amake ei dining table e boshiye Nipa prothom je kothata bollo ta holo - "aj bashay r keu nei....", shathe rohossomoy hashi. kintu tokhono kichu shondeho kori ni. kintu tar por theke ja ghotche......... tight t-shirt, khola chul r sex..... ami r kichui vabte parchilam na. "sir, nin" - paper ta amar dike bariye dhorlo Nipa. ekbar major point gulo te chokh bolalam, kintu kichui chokhe porlo na. "kothay? pelam na to ...", Nipa ke bollam ami. "daran sir, ami khuje dicchi" - bole Nipa eshe daralo amar pechone. tarpor amar ek kadher upor or bishal ek dudh er purota vaar chere diye, pray amar gale gal thekiye dekhate laglo. totokkhone ami bujhe gechi, amar ei magi chatri ajke ki chay.... Nipa'r dike fire takalam ami.

 Nipa o takalo. or juicy, sexy thot duto thik amar thot er 1 inch dure. r deri korlam na ami. amar thot duto chepe dhorlam Nipa'r gorom r norom dui thot er shathe. Nipa jeno ei jonnoi opekkha korchilo. shathe shathe amake joriye dhore amar thot duto chuste laglo. ami amar dustu jiv ta niye dhuke gelam or jiv er shathe khela korte. kiss korte kortei oke boshalam amar koler opor. ek hat diye joriye dhorlam or komor, r arek hat khela korte laglo or book er opor. t-shirt er nich diye hat dhukiye tipte laglam or bishal, but tight dudh duto. r edike kamracchilam or shundor duto thot. Nipa ke dining table e boshiye or t-shirt r skirt khule nilam ami. t-shirt er niche bra chilo na, shara shorire shudhu ekta panty niye Nipa amar shamne boshe lojjay lal hocchilo. ami ar deri na kore or panty tao khule fellam.

MY GOD!!! eto shundor dudh r voda ami r kokhono dekhini. halka golapi dudh er moddhe brown nipple ta dekhe mone hocchilo kamre chire ani. r virgin voda tae ektao bal nei, ekdom clean shaved. ami mone mone vablam - "accha... magi tahole ajke sharadin dhorei preparation niyeche". edike Nipa o totokkhone amar shirt khule niye pant dhore tanatani shuru koreche. ami amar jeans r underwear khule puro nude hoye gelam. table er pashei chilo freez. ami kichu ice newar jonno freez khule dekhi, wow, 2 liter ice cream er box. niche pelam koyekta lichu. ice, ice-cream r lichu niye eshe table e rakhtei Nipa bollo, "ogulo diye ki korben?". ami kichu bollam na, shudhu hashlam. full speed e fan chere, Nipa ke table e shuiye diye kiss korte laglam, r hate ek tukro ice niye Nipa'r nipple e ghoshte laglam. fan er batash r nipple e borofer chowae Nipa kepe kepe uthchilo. r amar hat o or ek paharer chura theke arek paharer churay doure beracchilo. Nipa'r je valo lagchilo ta or gongani shunei bujhchilam, r eto thanda ice er moddheo or nipple duto aro boro r shokto hoye uthchilo. ice-cream box theke angul diye kichu ice-cream tule niye Nipa'r dui nipple e makhalam. tarpor oi angul ta Nipa ke chuste diye ami or nipple chuse chuse ice-cream gulo shabar korte thaklam.

 protita nipple er ice-cream shesh kore ekta kore choto kamor ditam, r Nipa "aste" bole chitkar kore uthto. or oi chitkar shune ami aro anonde jhapiye porte laglam. nipple e koyekbar ice-cream makhiye sesh korar por ami ebar or voda'r pechone laglam. angule kore ice-cream niye or voda'r govir porjonto choriye dilam. tarpor dui angul diye voda fak kore chete chete ice-cream khete laglam, r arek hat diye dudh duto ekta ekta kore tipte laglam. ice-cream er flavor r Nipa'r voda'r gondho - duto mile amake ekdom jeno pagol kore dicchilo. ice-cream sesh hoye gale ekta lichu chile Nipa'r voday dhukiye dilam. okhane kichukkhon ghoranor por lichu ta ber kore amar mukhe niye ordhek ami khelam, bakita Nipa ke kiss korte korte khaiye dilam. ebar Nipa nije box theke ek mutho ice-cream niye amar dhon e valo kore makhalo. tarpor table e shuei amar komor joriye amake tene niye amar dhon ta nijer mukher kache niye chuse chuse ice-cream khete thaklo. r kono meyeke tar prothom blowjob eto valovabe dite ami r dekhini.

 shedin e chilo tar prothom, kintu she emon vabe professionally amar dhon suck kore ice-cream khacchilo, ekdom xxx er naikader moto. oi sucking er jonno amar dhon or mukher moddhei kolagach hoye galo. tai dekhe or ki hashi.... ami abar lichu'r dike hat baracchi dekhe ebar Nipa bollo, "oi lichu r kotobar dhokabe? ebar ashole jinish dhokan....". ami prosno korlam, "ashole jinish ta ki?". "ebar apnar dhon ta amar voday dhokan" - bole Nipa lojjay mukh dhaklo. ami table er upor uthe amar dui kadher upor Nipa'r dui pa tule niye or vodar mukhe amar dhon set korlam. "prothom bar kintu ektu batha lagbe, shojjo korte parbe to?", Nipa ke prosno korlam ami. uttore Nipa kichu na bole amar gola joriye uthe eshe thot dubiye amake kiss korte laglo. edike ami or tight virgin voday thap dewa shuru korlam. prothom 4-5 bar aste aste dilam, beshi dur galo na. er porer bar shorirer shob jor diye marlam ek ram thap, puro dhon ekbare dhuke galo. r Nipa "oooooomaaaaaaaaaa........" bole chechiye kede uthlo. or chokher kone dekhi pani jomeche. ami thap bondho kore Nipa ke joriye dhore fishfish kore bollam, "khub beshi legeche?". "ha" - Nipa aste kore jobab dilo. "Tahole ajke thak.......", ami ekhotha boltei Nipa bollo - "Naaa, apni korun. kichu hobe na.". ami abar shuru korlam, shurute ekdom aste aste.

 Nipa ke joriye dhore ekdike thapacchi, r onno dike jiv e jiv miliye kiss korchi. aste aste thap er speed barate laglam, ekshomoy full speed e chole ashlam. Nipa o ekhon besh enjoy korche baper ta. or mridu gongani r komor nachiye tol thap dewa thekei bujhte parchilam. minute doshek evabe korar por ami uthe hatu gere boshlam. r Nipa ke tule doggy style e boshalam. erpor pechon theke or pithe chumu khete khete voday dhon dhukiye doggy style e ok choda shuru korlam. pechon theke chodon Nipa o mone hoy khub enjoy korchilo. Nipa bolte laglo - "amake chude chude amar voda fatiye din sir...... ei voda onek jontrona diyeche amake...... shara rat shanti te ghumate dey na..... ajke dekhi koto chodon khawar shokh ei vodar......". amio bolte laglam, "bessa magi.... eto chodon khawar shokh tor, age bolish ni keno? koto hat merechi tor kotha chinta kore kore....... shob mal tor voday dhala jeto.....". ami full motion e Nipa ke chudchilam, r dui hat shamne bariye or sukh baracchilam. ek hat or mukher vetor dhukiye narachara korchilm, r onno hate or dudh tuto moyda thasha kore lal kore dicchilam, r majhe majhe nipple e chimti katchilam. kokhono kokhono dui hat pechone ene or pachar dabna duto tipe dicchilam, r chati marchilam. chati marte marte or pacha duto shesh porjonto tosh-toshe lal hoye galo, jeno toka dile ekhon e rokto porbe.

 evabe pray 25-30 minute chodar por Nipa bolte laglo - "ufff, sir!!! apnar r kotokkhon? ami to ar parchina........ sir!! apni koto valo... apni amake keno aro age theke choda shuru korlen na...... apni sharadin evabe amake chude jan sir....... chudte chudte amake mere felun sir...". amar o shomoy pray hoye ashchilo. Nipa ke bollam, "Nipaaa.... amar o deri nei r....... nao, amar shob tumi shushe nao, amar shob tomake dilam......". Nipa shathe shathe uthe eshe amar dhon niye or dudh e ghoshte laglo. r ami onekkhon atke rakhar por amar ghono shada mal Nipa'r dudh er upor chere dite dite Nipa ke kiss korte laglam. r Nipa amar dewa upohar ta khub jotno kore or book e makhte laglo.............. "ekhon bolo, moulik chahida gulo ki ki?", shob shesh kore abar prosno korlam ami. "kar? manusher na ki amar?" - Nipa'r palta prosno. "dutoi bolo dekhi?", jante chailam ami. "baki shobar jonno onno, bostro r bashosthan......" - Nipa bolte laglo, "r amar jonno - sex, sex ebong shudhui sex......"

āĻāĻ–াāĻ¨ে āĻšāĻŸি āĻ—āĻ˛্āĻĒেāĻ° āĻ­াāĻ¨্āĻĄাāĻ° āĻ­িāĻœিāĻŸ āĻŽাāĻ‡ āĻ¸াāĻ‡āĻŸ!!

āĻ¸āĻŽ্āĻĒূāĻ°্āĻŖ āĻŦাংāĻ˛াā§Ÿ āĻšুāĻĻাāĻšুāĻĻি āĻ—āĻ˛্āĻĒ āĻĒā§œুāĻ¨ āĻāĻ–াāĻ¨ে


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Monday 27 July 2009

Great Blog Published for Bangladeshi and Indian Bangali

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A great Blog Published on Bangladeshi hot video song, Hot Video, Admin Still Working for Develop the Blog, Thanking Blog Admin

http://bdgirlssence.blogspot.com/

Click Here Fore More ChudaChui Hot Video



Here You Can Bangla Choti In Bangla Fonts



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Tuesday 21 July 2009

Shoronio Chodon (āĻ¸্āĻŦāĻ°āĻŖীā§Ÿ āĻšোāĻĻāĻ¨)

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vai o bandhobira ..ajke amar jiboner ekti shoronio ghotona apnader bolbo ..actually shoronio ghotona na ..shoronio kisukhon ..tokhon amar boyosh silo 16 ..boyosh kom thakle mone hobe ..mone mone 25 bosorer cheleder cheyeo paka chilam …protidin-i ontoto 3 bar kore khogaitam ( khogano = khecha ) ..kintu khoganote mon ar vorto na ..dudher shad ki ghole mite ?? tai chinta korlam kivabe choda jai ?? kisu kisu frnds silo jara prostitiut-e giyesilo ..but amar oishob jaigai jabar isse moteo silo na …amar isse silo jodi kauke chudi tahole kono fresh virgin meyekei chudbo …kintu kono upai khuje passilam na ..ekdin amader bashai amar abbur ek frnd tar family shoho berate eshesilo …ahemm..ashlo na amar kopal khullo ..karon tar shathe silo tar 15 bosorer shundori meye Nisha ..nisha tokhon class 9-e porto & ami 10 ..so o jedin amader bashai ashlo oidin temon beshi kotha bolini ..just hi helloo ..but ora amader bashai eshesilo 4 diner jonno …2nd day-te amra onek free hoye giyesilam ..Nishar shathe onek khula mela golpo koresi ..kothai kothai SEX shomporke kotha chole ashto … Nisha lozza pele ki hobe amar mone silo boro dhoroner lucchami ..jeta jhorer purbavash dissilo ..jai hok ..ekdin or abbu ammu & amar abbu ammu ghurte giyesilo ..o jani kijonno jai nai & amio baire cricket khelte giyesilam …hotat kore ami bashai eshe dekhi o eka ..amar mone tokhon jhor boye galo ..vablam are etai to moha shujug ..kintu o je keno ghurte galo na shei proner jobab ami 7 bosor jabot khujtesi ..or moneo ki tahole chuda khabar kono khayesh silo ?? jai hok ..oke dekhe ami bollam ..ki bepar Nisha tumi jauni ? o bollo na jaini ..ami bollam keno ? o bollo ektu pore bolbo ..tokhon ami abar cricket khelar jonno baire jete chassilam tokhon o bollo Ahsan vaia apnar shathe amar kisu kotha silo ..ami bollam ki kotha ..o bollo Vaia amra to frnd ..tai na ? ami bollam hu ..o bollo Frnd-der shathe to shob bola jai ..ami bollam ha jai ..ami mone mone 100% sure silam j o sexual kisu bolte jabe ..o thik tai korlo ..amak bollo assa Ahsan vai apni ki karo shathe sex korsen ? ami bollam shotto bolbo naki mittha bolbo ?? o bollo shotto bolle khushi hotam ..ami bollam na kori ni ..o bollo apni ki khechen ?? ami bollam what ?? tumi khecha bujho ?? bollo bujhi na mane ?? apni ki vaben meyera HurryUp dei na ?? meyera angul diye HurryUp dei ..& vaia apne kalke jokhon khechte silen tokhon ami dekhesi ..ami tokhon lozza peye bollam bolo ki eshob ?? o bollo vaia eshob bepar na ..apnak khechte dekhar por amio HurryUp diyesi …but shokh mite nai ….Luccha Pathok vayera amar ey kotha shunar por amar obostha ki hote pare bujtei paren ( luccha bollam karone mind koiren na , eshob jara pore tara khub valo lok na ..lolz )..jai hok or kotha shune to amar 'AK47 guli churar jonno basto hoye gase ..ami oke shorashori bollam Nisha cholo amra sex kori ..o bollo cholen kori..ami bollam darau condom niye ashi ..amader bashar shamnei ekta pharmacy silo ..shekahan theke doure giye duita RAJA condom niye ashlam ek taka diye ..Raja condom tokhon 50 poisha korei silo …jai hok bashai eshe oke bollam cholo shuru kori …O bollo age amak kiss koren ..ami lip kiss shuru korlam ..or porone ekta Fotua silo ..ami kiss korte kortei hotat kore fotuar nich diye hat dhukiye dilam ..but bujhlam na or dudh gulu khub shokto silo ..mane amar age ar keu oi dudhe hat dei nai ..amar shopno shotti hoyesilo ..ami virgin meye peyesilam …ami oke pagoler moto kiss kore jassilam ..hotat or fotua o khule fello ..amito or dudh dekhe ar nai ..or didh beshi boro silo na ..but dudh-er shape silo chomotkar ..dekhe chokh ferano jai na ..or boyosh silo 15 but o kono bra porto na ..eta amar kase strange legese ..ami or dudhe pagole moto amar mukh o hat chalassilam ..vabsilam or dush ajkei norom & boro kore felbo jamburar moto …ami pagoler moto hoye gasilam ..ou amak pagoler moto kiss kortesilo ..mone hoi amader 1st action silo to tai erokom obostha …amra tokhon eke oporer upre shudhu goragori korsilam ….amar hush silo na ..mon to mane na ..chinta silo kokhon finally chudbo …jokhon or payjama khulte jabo tokhoni oghoton ta ghotlo … doorbell-er shobdo shunlam ..amader obostha to bujtei parsen ..olpo shomoye ready hoye ..Nisha Tv on korlo & ami dorja khulte gelam ..dekhi amader abbu ammu …Hai hai ektur jonno dhora khai ni ..pore ami taratari Toilet-e giye Kheche matha thanda koresi ….Nisha-k ami pore pura chudesi ..oidin ratrei ..Oi kahini na hoi arekbar bolbo …Opekkhai thakun ..


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Amr hot sexy Bow (āĻ†āĻŽাāĻ° āĻšāĻŸ āĻ¸েāĻ•্āĻ¸ী āĻŦāĻ‰)

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Net browsing korte korte ei site er khoj pelam, ekhane dekhi shobai bhabi, bondhur bon, bua, friend, aunty k chodar golpo r first experience er golpo likhse. Ami ektu vinno dhoroner golpo bolbo. Amar bowke chodar golpo bolbo. Ami sumon, boyosh 30yrs, r amar bow er nam putul. Boyosh 27yrs. Amra biye korechi 5yrs. Eto bochor sex kore o ami moja shesh korte pari nai. Jotil ekta figure. Ektu vhari shorir kintu chodar jonno kothin mal. Amar abar ektu bhari mal pochondo. Amar bow er figure ta boli, dudh 38 size r pacha mashalla 42 size. Ei pachar size ei ami pagol. Amar mone hoi or pacha r dudh amar tip kheye eto boro hoyeche. Majhe majhe ok ami tite jeans er pant r short shirt porie market e nie jai, pathok bondhura chinta koren j oi size er ekta pacha jeans er pant porle k mon dekhai, lok jon pacha ta chok diye gilte thake, ami ok boli j dekho aj koi jone tomake chinta kore bara kheche. Apnader o nischoi LINGO khara hoye geche? Bow o dushto bole tomar choda kheye osthir onner bara nibo kokhon, bole tumi o to onno meyeder pacha dekhe bara khecho, ami moja kore boli amar shamne onno kew tomake chudche eta dekhle mojai lagbe, Ami kono meye dekhle age pacha dekhi tar por BOOK tar por onno kichu. Meyeder pacha joto bhari chudte toto aram. Or pacha dekhlei amar bara oshanto hoye uthe. Amra jokhon ghore thaki tokhon beshi kichu kapor pore thaki na. Jokhon ghore thaki kajer fake amader eke opor k uttejito korar nana kaj cholte thake. Hoito dekha gelo ami sofai TV dekhchi bow tokhon eshe amar bara chosha shuro korlo. Amake groom kore pacha dulie kaje chole gelo. Ekhane to amar LINGO khara hoye ache. Amio ektu pore giye or Jouni chushe groom kore dilam. Kokhono dudh chushe dey kokhono pichon the pachai bara ghoshe dei othoba o amar LINGO kheche dey. Ebhabe ghore amara dushtami kori. Ek sathe 3x dekhi r 3x er moto kore chudi. 3 ex er cheleder boro boro bara dekhe bow bole ei size er barar thap nite parle jibon sharthok.ami tokhon boli dekho oi meye gular figure dekhle mon chai ektu chudi. Amar bow take choda khawai expart kore niyechi. Ok choto boi prte diye oder moto kore khisti dewa, 3x er VODROMOHILA der moto sound korte jane, amar kotha holo chodar shomoi jodi apnar partner sound na kore tahole to sex kore aram nai. Amara 2 jon khub e free. Tate sex kore 2 jone e tripty pai. Ami j mon ch***n baj temni amar bow o ch***n khor VODROMOHILA. Bhalo korei jane kemne cheleder groom korte hoi, j mon tol thap jane temni Jouni diye bara kamrate expart. Meye pathok ra bujhben Jouni diye bara kamrano. R or bara chosha to otuloniyo. R masher j shomoi ta or Jouni off theke tokhon bow er hate LINGO khecha onnorokom onuvuti, bow er mukhe bara dhukie thapano to aro jotil, konta j much r konta Jouni bojhai jai na. Jai hok onek kotha bollam ebar amader ek rater ch***n kahini boli- Khawa dawa shere ami drawing room e TV dekhchi, porone kichu nai bam hate bara up down korchi, emon shomoi bow kitchen theke kaj shere eshe dekhe j amar baa khara kore up down korchi, VODROMOHILA to bujhe gese j aj or guder jole amar bara satar katbe. Or porone ekebare choto size er bra r penty pora j gulo sudhu Jouni dhake r pichone pachar vajhe penty dekha jaina, bow jane j ami ok emon dress e dekhle groom hoye jai. O eshe amar kole boshlo pachata amar barar upor ghoshte laglo. Pacca , emnitei or bishal pachaJVODROMOHILA jane amake kivabe groom korte hoi dekhle amar bara khara tar upor pacha barar upor bujhen tahole obostha, ami 2 hate dudh tipte thaki r pithe golai chumu dite thaki, kichukhon ebhabe tipar por bujhlam bow groom hocche aste aste, bra ta khule 38 size dudh chushte shuru korlam, bishal size er dudh chushte j ki moja j na chushse she bujhbena. Dudh chushte chushte penty er upor diya vhodai hat dilam, aste aste angul diye narte laglam. Ektu por bou to dekhi sound shuru korlo, ummmmmmmm Bujhte parlam gude pani ashte shuru koreche Ei sound shunle j ki moja lage, Putu- ei BOOK aaste chosho na. Ami – uummm dudh chushe mal ber kore felbo Putul – keno chudbe na Ami – tato chudbo e , na ch*** to amar bara thanda hobe na . Putul – tomar choda na khle amar Jouni o thanda hobe na . Ami – tomar to chodar khai mete na , koto chudi tobu koi na j r na Putul – tumi e to amar Jouni sex kore amake pagol korecho Ami – amar barar upor theke tomar pacha namao Putul – eiii amar to gude jol esheche Ami – tato ashbe e , koto jol ache aj dekhbo Putul – amar Jouni to tomar e jonno Ami – asho ekto Jouni chushi 2 jone 69 posotion e gelam, ami Jouni chosha shuru korlam r bow amar bara chosha shuru korlo, evhabe cholte thakolo kichukhon. Putul – eiiii ooooooo oohhh thamo na aaaaa amar hoye jabo to Ami – oooooo na sex kore ki mal out hobe tomar Putul – ami kintu tomar bara chushe mal ber kore felbo Ami – mal ber korle tomar bhodai ki felbo Putul – ei ami r parchi na ooommmmmmm chodo naaaaa uuummmm Asho ebar sex kore tomar Jouni thanda kori, 69 posotion shesh kore bow k niche fele 2 pa kandhe tule vhodai bara set kore dilam ek thap. Oook kore uthlo, ekbre pura LINGO gude chalan, 2 hate dudh dhore shomane thap deya shuru korlam, thaper sathe chop chop puch puch shobdo hocche, age e bolechi bowta Jouni diye bara kamrate jane shevabe kamrano shuru korlo, amar to mail jai jai obostha. Dudh chere kandhe dhore thapano shuru korlam, tokhon dudh 2 ta lafano shuru korlo. Putul – oooooo aaaaaaa amar Jouni geeelooo Ami – aammmm VODROMOHILA ki Jouni tomar eto sex kore o moja shesh hoina Putul – arroooo jore thapao aro jore rrrr parchi nnaanna oooooo Ami – VODROMOHILA koto thapabo Putul – thapie amar Jouni shesh kore dao Er por bara ber kore ok doggy style e kora shuru korlam, doggu style o jokhon pachata tule dhore tokhon pichon theke fule thaka Jouni ta dekhte ja lage na. Ooooo evabe chodar shomoi dudh 2 j vhave jhule lafate thake ta dekhle mal ber hoye jete chai. Ami – aaaah VODROMOHILA ready how amar mal gude neyar jonnoo Putul – dao dao Jouni vhore mal dao Evhabe thapano bondho kore normal style e ok niche shuiye ami upore uthe barata gude dhukiye final thap shuru korlam. Ekshomoi Jouni e bara chepe ekebare guder govire ek gada mal dhele dilam. aaaahhhhhhh VODROMOHILA ti chitkar korche r 3x er magir moto sound korche. Evhabe chudte chudte ekshomoi mal out korlam Aaaaaahhhhhh amar hocche reeeee 2 jon gheme neye shanto hoye shuye thaklam Erpor eksathe 2 jon 2jon k goshol kore dilam, shekhaneo kotokhon o amar bara chushlo r ami or gude angul chalalam tarpor choshe dilam. Er por bondhura erekta golpo bolbo amar bow r kajer meye k nia.


āĻœāĻ¨āĻĒ্āĻ°িā§Ÿ āĻ•িāĻ›ু āĻ¸াāĻ‡āĻŸ

āĻŽোāĻŦাāĻ‡āĻ˛ āĻŸিāĻĒāĻ¸ āĻāĻ¨্āĻĄ āĻŸ্āĻ°িāĻ•āĻ¸

āĻ—াāĻ¨ āĻ­িāĻĄি āĻĄাāĻ‰āĻ¨ āĻ˛োāĻĄ

āĻāĻ¸ āĻāĻŽ āĻāĻ¸ āĻ†āĻ°্āĻ•াāĻ‡āĻ­

āĻŸেāĻ•āĻ¨āĻ˛āĻœি āĻāĻ¨্āĻĄ āĻŦāĻ˛্āĻ—াāĻ° āĻŸিāĻĒāĻ¸



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Sunday 19 July 2009

Chitra Boudir Joubon Jalal-1 (āĻšিāĻ¤্āĻ°া āĻŦৌāĻĻিāĻ° āĻ¯ৌāĻŦāĻ¨ āĻœাāĻ˛া -ā§§)

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āĻŦেāĻšাāĻ˛াāĻ° āĻšিāĻ¤্āĻ°া āĻŦৌāĻĻিāĻ° āĻ•āĻĨা āĻ¸āĻŦাāĻ‡ āĻœাāĻ¨ে āĻ¸ে āĻāĻ•āĻœāĻ¨ āĻĒাāĻ•া āĻļিāĻ•াāĻ°ি āĻĻāĻļ āĻ‡āĻž্āĻšি āĻ˛āĻŽ্āĻŦা, āĻ†āĻŸ āĻ‡āĻž্āĻšি āĻŦেā§œ āĻāĻ° āĻ§োāĻ¨ āĻ¸ে āĻ…āĻŦāĻ˛িāĻ˛াā§Ÿ āĻ¤াāĻ° āĻ­োāĻĻাāĻ° āĻŽāĻ§্āĻ¯ে āĻĸুāĻ•িā§Ÿে āĻ¨িāĻ¤ে āĻĒাāĻ°েāĻāĻ•āĻŸা āĻ•āĻĨা āĻļোāĻ¨া āĻ¯াā§Ÿ āĻ¤াāĻ° āĻ¸্āĻŦাāĻŽি āĻ¨িāĻ–িāĻ˛ āĻŦাāĻŦুāĻ° āĻ§োāĻ¨ āĻŽোāĻŸেāĻ‡ āĻ–াāĻ°া āĻšā§ŸāĻ¨া āĻ¸ে āĻ•িāĻ›ুāĻ‡ āĻĒাāĻ°েāĻ¨াāĻ¸ে āĻ¨িāĻœেāĻ‡ āĻ¨িā§ŸāĻŽিāĻ¤ āĻ•াāĻ‰āĻ•ে āĻ§āĻ°ে āĻāĻ¨ে āĻĻেā§Ÿ āĻŦৌāĻāĻ° āĻŽāĻ¨ āĻ­āĻ°াāĻŦাāĻ° āĻœāĻ¨্āĻ¯ে āĻāĻŦং āĻ­োāĻĻাāĻ° āĻ­োāĻ— āĻĻেā§ŸাāĻ° āĻœāĻ¨্āĻ¯ে, āĻ¯েāĻĻিāĻ¨ āĻ•াāĻ“āĻ•ে āĻ¨া āĻĒাā§Ÿ āĻ¸েāĻĻিāĻ¨ āĻ†āĻŸ āĻ‡āĻž্āĻšি āĻŦেā§œ āĻāĻ° āĻāĻ•āĻŸা āĻŽুāĻ°āĻļিāĻĻাāĻŦাāĻĻি āĻ¸াāĻ—ā§œ āĻ•āĻ˛া āĻ¤াāĻ° āĻ˛াāĻ—āĻŦেāĻ‡ āĻ˛াāĻ—āĻŦেāĻ¤াāĻ° āĻŸাāĻ•া āĻĒā§ŸāĻ¸াāĻ° āĻ…āĻ­াāĻŦ āĻ¨েāĻ‡ āĻ•াāĻ°ো āĻ•াāĻ› āĻĨেāĻ•ে āĻŸাāĻ•া āĻĒā§ŸāĻ¸া āĻ¨েā§Ÿ āĻ¨া, āĻļুāĻ§ু āĻĻেāĻšেāĻ° āĻ¸ুāĻ–েāĻ° āĻœāĻ¨্āĻ¯ে āĻ¯া āĻ•āĻ°েāĻŦেāĻšাāĻ°া āĻ•ি āĻ•āĻ°āĻŦে āĻ˜āĻ°ে āĻŦৌ āĻ°াāĻ–āĻ¤ে āĻšāĻ˛েāĻ¤ো āĻ¤াāĻ•ে āĻ–েāĻ¤ে āĻĒāĻ°āĻ¤ে āĻĻিāĻ¤ে āĻšāĻŦে, āĻāĻ•āĻŸা āĻ–াāĻ°া āĻļāĻ•্āĻ¤ āĻ§োāĻ¨ āĻĻিā§Ÿে āĻ­োāĻĻাāĻ° āĻ­োāĻ— āĻĻিāĻ¤ে āĻšāĻŦেāĻ˛োāĻ•āĻœāĻ¨ āĻ•াāĻ‰āĻ•ে āĻĒেāĻ˛ে āĻ¸াāĻĨে āĻ•āĻ°ে āĻŦাāĻ¸াā§Ÿ āĻāĻ¨ে āĻŦāĻ¸িā§Ÿে āĻ—āĻ˛্āĻĒ āĻļুāĻ°ু āĻ•āĻ°ে āĻĻিā§Ÿে āĻŽাāĻ āĻ–াāĻ¨ে āĻ‰āĻ ে āĻšāĻ˛ে āĻ¯াā§Ÿ, āĻ¯াāĻŦাāĻ° āĻ†āĻ—ে āĻŦāĻ˛ে āĻ¯াā§Ÿ āĻĻাāĻĻা āĻ†āĻŽাāĻ° āĻāĻ•āĻŸু āĻĻোāĻ•াāĻ¨ে āĻ¯েāĻ¤ে āĻšāĻŦে āĻ†āĻĒāĻ¨ি āĻŦৌāĻĻিāĻ° āĻ¸াāĻĨে āĻ†āĻ˛াāĻĒ āĻ•āĻ°āĻ¤ে āĻĨাāĻ•ুāĻ¨ āĻ†āĻŽি āĻāĻ‡ āĻ¯াāĻš্āĻ›ি āĻ†āĻ° āĻ†āĻ¸āĻ›িāĻŦ্āĻ¯াāĻ¸ āĻŦৌāĻ° āĻšাāĻ¤ে āĻ§āĻ°িā§Ÿে āĻĻিā§Ÿে āĻ¸েāĻ‡ āĻ¯ে āĻ—েāĻ˛

āĻāĻĻিāĻ•ে āĻ†āĻŦাāĻ° āĻ¨াāĻ— āĻŦাāĻŦুāĻ° āĻšাāĻšিāĻĻা āĻāĻ•āĻŸু āĻŦেāĻļি āĻ¤াāĻ° āĻŦৌ āĻ†āĻŦাāĻ° āĻ¤াāĻ° āĻāĻ•āĻšাāĻ¤ āĻ˛āĻŽ্āĻŦা āĻĄাāĻ¨্āĻĄাāĻ° āĻ ্āĻ¯েāĻ˛া āĻ§াāĻ•্āĻ•া āĻ•ুāĻ˛াāĻ¤ে āĻĒাāĻ°েāĻ¨া āĻšিāĻ¤āĻ•াāĻ° āĻ•āĻ°ে, āĻŽāĻ¨ে āĻšā§Ÿ āĻāĻ•েāĻŦাāĻ°ে āĻ•āĻ˛িāĻœাā§Ÿ āĻ—িā§Ÿে āĻ–োāĻšা āĻĻিāĻš্āĻ›েāĻ¤াāĻ‡ āĻ¤াāĻ•েāĻ“ āĻāĻĻিāĻ• āĻ“āĻĻিāĻ• āĻ–ুāĻœে āĻŦেāĻ°াāĻ¤ে āĻšā§Ÿ āĻ…āĻ—āĻ¤্āĻ¯া āĻŽাāĻে āĻŽাāĻে āĻ¸োāĻ¨াāĻ—াāĻ›িāĻ¤েāĻ‡ āĻ¯েāĻ¤ে āĻšā§Ÿ āĻŦেāĻļ্āĻ¯া āĻŽাāĻ—ি āĻšুāĻĻাāĻ° āĻœāĻ¨্āĻ¯āĻŦৌāĻ¤ো āĻ˜āĻ°ে āĻ†āĻ›েāĻ‡ āĻ¤াāĻ•ে āĻĻিā§Ÿে āĻ•োāĻ¨ āĻ°āĻ•āĻŽ āĻ•াāĻœ āĻšাāĻ˛িā§Ÿে āĻ¨েā§Ÿা āĻ¯াā§Ÿ āĻ¤āĻŦে āĻŦাāĻ‡āĻ°েāĻ‡ āĻ†āĻ¸āĻ˛āĻ•িāĻ¨্āĻ¤ু āĻ¸āĻŽāĻ¸্āĻ¯া āĻšোāĻ˛ āĻŦাāĻ‡āĻ°ে āĻ†āĻœāĻ•াāĻ˛ āĻ¨াāĻ¨া āĻ°āĻ•āĻŽ āĻ°োāĻ— āĻŦাāĻ˛াāĻ‡āĻ¤ে āĻ­āĻ°া āĻ•āĻ–āĻ¨ āĻ•ি āĻšā§Ÿে āĻ¯াā§Ÿ āĻ¸েāĻ‡ āĻ­ā§Ÿ āĻ†āĻ›ে, āĻ¤াāĻ‡ āĻ‰āĻ¨ি āĻāĻŽāĻ¨ āĻāĻ•āĻœāĻ¨ āĻ–ুāĻœāĻ›েāĻ¨ āĻ¯াāĻ° āĻ¸াāĻĨে āĻ¨িāĻ°āĻ­ā§Ÿে āĻšোāĻĻāĻ¨ āĻ•āĻ°āĻŽ āĻ•āĻ°া āĻ¯াā§ŸāĻ¨াāĻ— āĻŦাāĻŦুāĻ° āĻ•াāĻ¨েāĻ“ āĻšিāĻ¤্āĻ°া āĻŦৌāĻĻিāĻ° āĻ•āĻĨা āĻ—েāĻ›ে āĻ¸েāĻ“ āĻœাāĻ¨ে āĻ•িāĻ¨্āĻ¤ু āĻ¸ুāĻ¯োāĻ— āĻšā§Ÿে āĻ‰āĻ āĻ›েāĻ¨াāĻ¸েāĻĻিāĻ¨ āĻŦā§œ āĻ†āĻļা āĻ•āĻ°ে āĻĒাāĻž্āĻœাāĻŦিāĻ° āĻĒāĻ•েāĻŸে āĻšাāĻ¤ āĻĻিā§Ÿে āĻ¤িāĻ°িং āĻ¤িāĻ°িং āĻ•āĻ°া āĻĄাāĻ¨্āĻĄা āĻ§āĻ°ে āĻ¨িā§Ÿে āĻŦোāĻাāĻ›āĻ›িāĻ˛ো āĻāĻ•āĻŸু āĻĨাāĻŽ āĻŦাāĻŦা āĻāĻ‡āĻ¤ো āĻŦৌāĻĻিāĻ° āĻ•াāĻ›ে āĻ¯াāĻ›āĻ›ি āĻ—েāĻ˛েāĻ‡ āĻĸুāĻ•ে āĻĒāĻ°āĻŦি āĻ•িāĻ¨্āĻ¤ু āĻāĻ¤ো āĻ•āĻˇ্āĻŸ āĻ•āĻ°ে āĻ…āĻ¨্āĻ§āĻ•াāĻ°ে āĻšাāĻ°āĻ¤āĻ˛াā§Ÿ āĻ‰āĻ ে āĻĻেāĻ–ে āĻšিāĻ¤্āĻ°া āĻŦৌāĻĻি āĻāĻ¨āĻ—েāĻœāĻĄāĻ¸িā§œি āĻĻিā§Ÿে āĻ¨াāĻŽাāĻ° āĻ¸āĻŽā§Ÿ āĻšাāĻ¤ āĻĻিā§Ÿে āĻ–াāĻšāĻ¤ে āĻ–াāĻšāĻ¤ে āĻĒিāĻšিāĻ• āĻĒিāĻšিāĻ• āĻ•āĻ°ে āĻ…āĻ¨্āĻ¤āĻ¤ āĻāĻ• āĻ†āĻœāĻ˛া āĻ—ā§œāĻŽ āĻ°āĻ¸āĻ—োāĻ˛্āĻ˛াāĻ° āĻ†āĻ াāĻ˛ো āĻĒিāĻ›āĻ›িāĻ˛ āĻ¸িāĻ°া āĻ¤াāĻ° āĻ˜ā§œেāĻ° āĻ¸াāĻŽāĻ¨ে āĻ¸িāĻ°িāĻ¤েāĻ‡ āĻĢেāĻ˛ে āĻĻিā§Ÿে āĻĢিāĻ°ে āĻāĻ¸েāĻ›ে

āĻĻুāĻ‡ āĻĻিāĻ¨ āĻĒāĻ°, āĻŦিāĻ•েāĻ˛ āĻĨেāĻ•েāĻ‡ āĻ˛āĻ•্āĻˇ āĻ°াāĻ–āĻ›ে āĻšিāĻ¤্āĻ°া āĻŦৌāĻĻিāĻ° āĻŦাāĻ°িāĻ¤ে āĻ†āĻœ āĻ•ে āĻ¯াā§ŸāĻ¸āĻ¨্āĻ§্āĻ¯াāĻ° āĻ…āĻ¨্āĻ§āĻ•াāĻ° āĻšā§Ÿে āĻ—েāĻ›ে āĻāĻ–āĻ¨ো āĻ•েāĻ‰ āĻ†āĻ¸েāĻ¨িāĻ†āĻ° āĻāĻ•āĻŸু āĻ…āĻ¨্āĻ§āĻ•াāĻ°েāĻ° āĻ…āĻĒেāĻ•্āĻˇাāĻāĻ•āĻŸু āĻĒāĻ°েāĻ‡ āĻ¤āĻ° āĻ¤āĻ° āĻ•āĻ°ে āĻ…āĻ¨্āĻ§āĻ•াāĻ°েāĻ° āĻŽāĻĻ্āĻ§্āĻ¯েāĻ‡ āĻ¸িā§œি āĻŦেā§Ÿে āĻšাāĻ° āĻ¤āĻ˛াā§Ÿ āĻ‰āĻ ে āĻāĻ˛েāĻ¨āĻĻāĻ°āĻœাā§Ÿ āĻ¨āĻ•āĻšিāĻ¤্āĻ°া āĻŦৌāĻĻি āĻ¨িāĻœেāĻ‡ āĻĻāĻ°āĻœা āĻ–ুāĻ˛ে āĻ…āĻŦাāĻ•, āĻ†āĻ°ে āĻĻাāĻĻা,āĻ†āĻ¸ুāĻ¨ āĻ†āĻ¸ুāĻ¨ āĻŦৌāĻĻি āĻ†āĻ¸েāĻ¨ি?āĻ¨া āĻ¤াāĻ° āĻŽাāĻĨা āĻ§āĻ°েāĻ›ে āĻ†āĻ¸āĻ˛োāĻ¨াāĻ†āĻ¸ুāĻ¨ āĻ­িāĻ¤āĻ°ে āĻ†āĻ¸ুāĻ¨ āĻŦāĻ¸ুāĻ¨āĻĻাāĻĻা āĻ•ি āĻ˜ā§œে? āĻ¨া āĻ“āĻ¤ো āĻĻāĻŽāĻĻāĻŽ āĻ—েāĻ›ে āĻĢিāĻ°āĻ¤ে āĻ°াāĻ¤ āĻšāĻŦেāĻ¸োāĻĢাā§Ÿ āĻ¨াāĻ— āĻŦাāĻŦু āĻŦāĻ¸āĻ˛ āĻĒাāĻļেāĻ° āĻ¸োāĻĢাā§Ÿ āĻŦāĻ¸āĻ˛ āĻšিāĻ¤্āĻ°াāĻ†āĻĒāĻ¨িāĻ¤ো āĻ†āĻ¸েāĻ¨āĻ‡āĻ¨া āĻ¤া āĻ†āĻœ āĻšāĻ াāĻ¤ āĻ•িāĻ­াāĻŦে āĻāĻ˛েāĻ¨? āĻ†āĻ¸āĻ¤ে āĻšাāĻ‡ āĻ•িāĻ¨্āĻ¤ু āĻ¸ুāĻ¯োāĻ— āĻĒাāĻ‡āĻ¨া, āĻāĻ‡āĻ¤ো āĻ¸েāĻĻিāĻ¨ āĻŽাāĻ¨ে āĻĻুāĻ‡ āĻĻিāĻ¨ āĻ†āĻ—ে āĻāĻ¸ে āĻ…āĻ¨েāĻ•āĻ•্āĻˇāĻ¨ āĻ¨āĻ• āĻ•āĻ°েāĻ›ি, āĻ–ুāĻ˛েāĻ¨āĻ¨া āĻ¤াāĻ‡ āĻĢিāĻ°ে āĻ—াāĻ˛াāĻŽāĻ¤ো āĻ•িāĻ›ুāĻ•্āĻˇāĻ¨ āĻĒāĻ°ে āĻ†āĻŦাāĻ° āĻāĻ˛েāĻ‡ āĻĒাāĻ°āĻ¤েāĻ¨āĻ†āĻ›āĻ›া āĻ¯াāĻ• āĻ¯া āĻ—েāĻ›ে āĻ¸ে āĻ¨িā§Ÿে āĻšিāĻ¨্āĻ¤া āĻ•āĻ°ে āĻ˛াāĻ­ āĻ¨েāĻ‡āĻŦāĻ˛ুāĻ¨ āĻ•ি āĻ–াāĻŦেāĻ¨āĻ¨া āĻ•িāĻ›ু āĻ–াāĻŦোāĻ¨া āĻ†āĻŽি āĻāĻ¸েāĻ›ি āĻ†āĻĒāĻ¨াāĻ° āĻ¸াāĻĨে āĻ—āĻ˛্āĻĒ āĻ•āĻ°āĻ¤েāĻ­াāĻ˛ো āĻ•āĻ°েāĻ›েāĻ¨ āĻ†āĻŽিāĻ“ āĻ˛োāĻ¨āĻ˛ি āĻĢিāĻ˛ āĻ•āĻ°āĻ›িāĻ˛াāĻŽāĻ†āĻ›āĻ›া āĻāĻ•āĻŸু āĻ•িāĻ›ু āĻĄ্āĻ°িāĻ™্āĻ•āĻ¸ āĻ¨েāĻ¨ āĻ–াāĻ˛ি āĻŽুāĻ–ে āĻ•ি āĻ—āĻ˛্āĻĒ āĻ•āĻ°া āĻ¯াā§Ÿ? āĻ•ি āĻĄ্āĻ°িāĻ™্āĻ•āĻ¸? āĻ¸āĻŦāĻ‡ āĻ†āĻ›ে, āĻ†āĻĒāĻ¨ি āĻ•ি āĻ–াāĻŦেāĻ¨ āĻŦāĻ˛ু্‌āĻ¨, āĻ†āĻŽি āĻŦিā§ŸাāĻ° āĻ–াāĻŦোāĻ†āĻ›āĻ›া āĻ¤াāĻšāĻ˛ে āĻ†āĻŽাāĻ•েāĻ“ āĻ¤াāĻ‡ āĻĻিāĻ¨āĻšিāĻ¤্āĻ°া āĻŦৌāĻĻি āĻ‰āĻ ে āĻ—িā§Ÿে āĻĢ্āĻ°ীāĻœ āĻĨেāĻ•ে āĻĻুāĻ‡ āĻ•্āĻ¯াāĻ¨ āĻŦিā§ŸাāĻ° āĻ†āĻ° āĻ—্āĻ˛াāĻļ āĻāĻ¨ে āĻ¨াāĻ— āĻŦাāĻŦুāĻ° āĻ¸াāĻŽāĻ¨ে āĻāĻ•āĻŸা āĻŦাā§œিā§Ÿে āĻĻিā§Ÿে āĻ¨িāĻœে āĻāĻ•āĻŸা āĻļুāĻ°ু āĻ•āĻ°āĻ˛োāĻ•িāĻ›ুāĻ•্āĻˇāĻ¨েāĻ° āĻŽāĻĻ্āĻ§্āĻ¯ে āĻļেāĻˇ āĻšā§Ÿে āĻ—েāĻ˛ āĻ†āĻŦাāĻ° āĻ†āĻ° āĻāĻ• āĻ°াāĻ‰āĻ¨্āĻĄ āĻāĻ¨ে āĻŦāĻ¸াāĻ° āĻ¸āĻŽā§Ÿ āĻ•াāĻ§ āĻĨেāĻ•ে āĻ†āĻšāĻ˛ āĻĒā§œে āĻ—েāĻ˛āĻ¨াāĻ— āĻŦাāĻŦু āĻāĻ• āĻĻৃāĻˇ্āĻŸিāĻ¤ে āĻŦৌāĻĻিāĻ° āĻŦুāĻ•েāĻ° āĻĻিāĻ•ে āĻ¤াāĻ•িā§Ÿে āĻ°āĻ‡āĻ˛ো āĻ†āĻ° āĻ­াāĻŦāĻ›িāĻ˛ āĻāĻ¤ো āĻŽাāĻ¨ুāĻ¸ে āĻšāĻŸāĻ•াāĻ›āĻ›ে āĻ¤āĻŦুāĻ“ āĻুāĻ˛ে āĻĒাāĻ°েāĻ¨িāĻ¨েāĻļা āĻ§āĻ°ে āĻāĻ¸েāĻ›েāĻŦৌāĻĻি āĻŦāĻ˛āĻ˛ āĻ•ি āĻĻেāĻ–āĻ›েāĻ¨ āĻĻাāĻĻাāĻ¨া āĻĻেāĻ–āĻ›িāĻ¨া, āĻ“āĻ‡ āĻ†āĻĒāĻ¨াāĻ° āĻŦ্āĻ˛াāĻ‰āĻœেāĻ° āĻ­িāĻ¤āĻ°ে āĻ•ি āĻ†āĻ›ে āĻ¤াāĻ‡ āĻ­াāĻŦāĻ›িāĻ•েāĻ¨ āĻŦ্āĻ˛াāĻ‰āĻœেāĻ° āĻ­িāĻ¤āĻ°ে āĻ•ি āĻĨাāĻ•ে āĻœাāĻ¨েāĻ¨āĻ¨া,āĻĻেāĻ–েāĻ¨āĻ¨ি āĻ•āĻ–āĻ¨ো? āĻ•ি āĻ†āĻ° āĻŦāĻ˛āĻŦো āĻŦৌāĻĻি āĻĻেāĻ–েāĻ›িāĻ¤ো āĻ…āĻ¨েāĻ•, āĻ•িāĻ¨্āĻ¤ু āĻ•āĻĨা āĻšোāĻ˛ āĻ•ি āĻœাāĻ¨েāĻ¨ āĻŦৌāĻĻি,āĻŦাāĻœাāĻ°ে āĻ¯েāĻŽāĻ¨ āĻ¸āĻŦ āĻ†āĻŽেāĻ° āĻĻাāĻŽ āĻāĻ• āĻ¨ā§Ÿ, āĻ•āĻ¤ āĻ§āĻ°āĻ¨েāĻ° āĻ†āĻŽ āĻ°ā§ŸেāĻ›ে āĻāĻŸাāĻ“āĻ¤ো āĻ¤েāĻŽāĻ¨ āĻ†āĻ›āĻ›া āĻŦৌāĻĻি āĻāĻ•āĻŸু āĻŸā§ŸāĻ˛েāĻŸ āĻĨেāĻ•ে āĻ†āĻ¸ি āĻŦāĻ˛ে āĻ‰āĻ ে āĻĻাā§œাāĻ˛ো, āĻ¨িāĻšে āĻ•োāĻ¨ āĻœাāĻ™্āĻ—িā§Ÿা āĻ¨া āĻĨাāĻ•াā§Ÿ āĻ¤াāĻ° āĻ–াāĻ°া āĻšā§Ÿে āĻ‰āĻ া āĻŦāĻ¨্āĻĻুāĻ•েāĻ° āĻ¨āĻ˛ āĻ¤িāĻ°িং āĻ•āĻ°ে āĻāĻ• āĻ˛াāĻĢ āĻĻিā§Ÿে āĻ¸োāĻœা āĻŦৌāĻĻিāĻ° āĻĻিāĻ•ে āĻ¤াāĻ• āĻšā§Ÿে āĻ—েāĻ˛āĻŦৌāĻĻি āĻŦāĻ˛āĻ˛ো āĻ†āĻĒāĻ¨ি āĻœাংāĻ—িā§Ÿা āĻĒāĻ°েāĻ¨ āĻ¨া āĻ†āĻĒāĻ¨াāĻ° āĻ“āĻŸাāĻ¤ো āĻ–াāĻ°া āĻšā§Ÿে āĻ—েāĻ›ে āĻ“āĻŸা āĻĻেāĻ–ে āĻ†āĻŽাāĻ° āĻāĻ–āĻ¨ āĻ˛োāĻ­ āĻšāĻ›āĻ›েāĻāĻ‡āĻ¤ো āĻĻেāĻ–েāĻ¨ āĻ†āĻĒāĻ¨াāĻ° āĻ¯েāĻŽāĻ¨, āĻšাāĻ¤ে āĻ§āĻ°ে āĻĻেāĻ–াāĻ˛ো āĻāĻŸা āĻĻেāĻ–ে āĻ˛োāĻ­ āĻšāĻ›āĻ›ে āĻ†āĻŽাāĻ°ো āĻ¤েāĻŽāĻ¨ āĻ†āĻĒāĻ¨াāĻ° āĻ“āĻ‡ āĻŦ্āĻ˛াāĻ‰āĻœেāĻ° āĻ¨িāĻšেāĻ° āĻ“āĻŸা āĻĻেāĻ–ে āĻ˛োāĻ­ āĻšāĻ›āĻ›েāĻ“ āĻ¤াāĻ‡ āĻ¨াāĻ•ি, āĻ†āĻ›āĻ›া āĻ†āĻ¸ুāĻ¨ āĻŸā§ŸāĻ˛েāĻŸ āĻĨেāĻ•েāĻ¨াāĻ— āĻŦাāĻŦু āĻŸā§ŸāĻ˛েāĻŸ āĻĨেāĻ•ে āĻĢিāĻ°ে āĻāĻ¸ে āĻĻেāĻ–ে āĻ¸ে āĻ¯েāĻ–াāĻ¨ে āĻŦāĻ¸েāĻ›িāĻ˛ো āĻŦৌāĻĻি āĻ¤াāĻ° āĻĒাāĻļে āĻŦāĻ¸ে āĻ¸াāĻŽāĻ¨ে āĻŸেāĻŦিāĻ˛েāĻ° āĻ‰āĻĒāĻ° āĻ—্āĻ˛াāĻļে āĻ†āĻ°ো āĻĻুāĻ‡ āĻ•্āĻ¯াāĻ¨ āĻŦিā§ŸাāĻ° āĻĸাāĻ˛āĻ›েāĻ¨াāĻ— āĻŦাāĻŦু āĻāĻ•āĻŸু āĻ‡āĻ¤āĻ¸্āĻ¤āĻ¤ āĻ•āĻ°āĻ›িāĻ˛ো āĻ•োāĻĨাā§Ÿ āĻŦāĻ¸āĻŦে, āĻŦৌāĻĻি āĻ†āĻ—ে āĻ¯েāĻ–াāĻ¨ে āĻŦāĻ¸েāĻ›িāĻ˛ো āĻ¸েāĻ–াāĻ¨ে āĻŦāĻ¸āĻ¤ে āĻ¯াāĻ›āĻ›িāĻ˛ো āĻ•িāĻ¨্āĻ¤ু āĻŦৌāĻĻি āĻŦāĻ˛āĻ˛ো āĻāĻ–াāĻ¨ে āĻŦāĻ¸েāĻ¨ āĻ†āĻŽি āĻ•ি āĻ–ুāĻŦ āĻ–াāĻ°াāĻĒ āĻĻেāĻ–āĻ¤ে āĻ†āĻŽাāĻ° āĻĒাāĻļে āĻŦāĻ¸া āĻ¯াāĻŦেāĻ¨া āĻ¨াāĻ•ি? āĻ“ āĻš্āĻ¯া āĻš্āĻ¯া āĻ িāĻ• āĻ†āĻ›ে, āĻ¤াāĻ‡ āĻŦāĻ¸āĻ›িāĻ¨াāĻ— āĻŦাāĻŦু āĻŦāĻ¸ে āĻĒāĻ°āĻ˛োāĻŦৌāĻĻি āĻŦিā§ŸাāĻ°েāĻ° āĻ—্āĻ˛াāĻļ āĻāĻ—িā§Ÿে āĻĻিāĻ˛āĻ†āĻĒāĻ¨ি āĻĻেāĻ–āĻ¤ে āĻ–াāĻ°াāĻĒ āĻ•ে āĻŦāĻ˛ে āĻ āĻ•āĻĨা? āĻ†āĻšāĻ˛েāĻ° āĻ¨িāĻšেāĻ‡āĻ¤ো āĻĻেāĻ–āĻ›ি āĻ•ি āĻ¸ুāĻ¨্āĻĻāĻ° āĻ†āĻĒāĻ¨াāĻ° āĻŦুāĻ• āĻ¯েāĻ¨ āĻĒাāĻ•া āĻŦাāĻ¤াāĻŦি āĻ˛েāĻŦুāĻ¤াāĻ‡ āĻ¨াāĻ•ি āĻ¤া āĻ‡āĻ›āĻ›া āĻšāĻ˛ে āĻ†āĻĒāĻ¨ি āĻĻেāĻ–āĻ¤ে āĻĒাāĻ°েāĻ¨āĻĻেāĻ–āĻŦো? āĻ†āĻ›āĻ›া āĻŦāĻ˛েāĻ‡ āĻāĻ•āĻŸাāĻ¨ে āĻ†āĻšāĻ˛ āĻ¸āĻ°িā§Ÿে āĻŦৌāĻĻিāĻ° āĻŽাāĻĨা āĻ¸াāĻŽāĻ¨ে āĻŸেāĻ¨ে āĻĒিāĻ›āĻ¨ে āĻŦ্āĻ˛াāĻ‰āĻœেāĻ° āĻšুāĻ• āĻ—ুāĻ˛ি āĻĒāĻŸ āĻĒāĻŸ āĻ•āĻ°ে āĻ–ুāĻ˛ে āĻŦ্āĻ°াāĻ° āĻšুāĻ•āĻ“ āĻ–ুāĻ˛ে āĻ†āĻŦাāĻ° āĻŽাāĻĨা āĻ¸āĻ°িā§Ÿে āĻ¸াāĻŽāĻ¨ে āĻĨেāĻ•ে āĻŸেāĻ¨ে āĻ“āĻ—ুāĻ˛ি āĻ¸āĻŦ āĻ–ুāĻ˛ে āĻĢেāĻ˛ে āĻ•িāĻ›ুāĻŸা āĻুāĻ˛ে āĻĒā§œা āĻĢāĻœāĻ˛ি āĻ†āĻŽেāĻ° āĻŽāĻ¤ āĻĻুāĻ§ āĻ—ুāĻ˛ি āĻšাāĻ¤ে āĻ§āĻ°ে āĻŽেāĻĒে āĻĻেāĻ–āĻ›ে āĻ¸াāĻ°া āĻĻুāĻ§ āĻ­ā§œা āĻ•াāĻŽā§œেāĻ° āĻĻাāĻ—āĻ†āĻšāĻ˛েāĻ° āĻ‰āĻĒāĻ° āĻĻিā§Ÿে āĻĻেāĻ–āĻ¤ে āĻ¯āĻ¤āĻŸা āĻ¸ুāĻ¨্āĻĻāĻ° āĻŦ্āĻ˛াāĻ‰āĻœেāĻ° āĻ¨িāĻšে āĻ¤েāĻŽāĻ¨ āĻ¨ā§Ÿ āĻ†āĻ° āĻĨাāĻ•āĻŦেāĻ‡ āĻŦা āĻ•েāĻŽāĻ¨ āĻ•āĻ°ে, āĻĻুāĻ‡ āĻāĻ• āĻœāĻ¨েāĻ¤ো āĻ†āĻ° āĻāĻ—ুāĻ˛ি āĻšāĻŸāĻ•াāĻ›āĻ›ে āĻ¨া, āĻ•াāĻŽā§œাāĻ›āĻ›ে āĻ¨াāĻ•ি āĻ•āĻ°āĻ›েāĻ¨ āĻ“āĻ­াāĻŦে, āĻ­াāĻ˛ো āĻ•āĻ°ে āĻĻেāĻ–ুāĻ¨āĻ“ āĻŦুāĻেāĻ›ি āĻŦāĻ˛েāĻ‡ āĻĻুāĻ‡ āĻšাāĻ¤ে āĻ‡āĻ›āĻ›া āĻŽāĻ¤ āĻŸিāĻĒāĻ›ে, āĻŦোāĻŸা āĻ—ুāĻ˛ি āĻāĻ•āĻŸা āĻāĻ•āĻŸা āĻ•āĻ°ে āĻŽুāĻ–ে āĻ¨িāĻš্āĻ›ে, āĻāĻ•āĻŸু āĻšাāĻ˛āĻ•া āĻ•াāĻŽāĻ° āĻĻিāĻ›āĻ›ে, āĻšাāĻ¤ āĻ†āĻ¸্āĻ¤ে āĻ†āĻ¸্āĻ¤ে āĻ¨িāĻšেāĻ° āĻĻিāĻ•ে āĻ¨াāĻŽāĻ›ে , āĻŽুāĻ– āĻ‰āĻĒāĻ°ে āĻ‰āĻ ে āĻ োāĻŸে āĻ†āĻŸāĻ•ে āĻ—েāĻ›ে, āĻšুāĻŽু āĻ–াāĻ›āĻ›েāĻ†āĻ°ে āĻĻাāĻĻা āĻ†āĻĒāĻ¨িāĻ¤ো āĻ–ুāĻŦ āĻ­াāĻ˛ো āĻŸিāĻĒāĻ¤ে āĻĒাāĻ°েāĻ¨, āĻŸিāĻĒেāĻ¨ āĻŸি্āĻĒেāĻ¨ āĻ†āĻ°ো āĻœোā§œে āĻŸিāĻĒেāĻ¨, āĻ­āĻ°āĻ¤া āĻŦাāĻ¨িā§Ÿে āĻĢেāĻ˛েāĻ¨, āĻ“āĻ–াāĻ¨ে āĻ•ি āĻāĻ¤ো āĻ¤াāĻ°াāĻ¤াāĻ°ি āĻ¨িāĻšে āĻ¯াāĻ›āĻ›েāĻ¨ āĻ•েāĻ¨ āĻ°াāĻ¤ āĻ•ি āĻĢুāĻ°িā§Ÿে āĻ¯াāĻ›āĻ›ে āĻāĻ¤ো āĻ¤াā§œা āĻ•িāĻ¸েāĻ°? āĻ¨া āĻšিāĻ¤্āĻ°া āĻ†āĻœ āĻ†āĻŽি āĻ¤োāĻŽাāĻ° āĻ¸াāĻĨে āĻ¸াāĻ°া āĻ°াāĻ¤ āĻĨেāĻ•ে āĻ¯েāĻ¤ে āĻĒাāĻ°āĻŦো āĻŦāĻ˛েāĻ‡ āĻ¨াāĻ­িāĻ° āĻšাāĻ°āĻĻিāĻ•ে āĻ†āĻ™্āĻ—ুāĻ˛ āĻĻিā§Ÿে āĻŦৃāĻ¤্āĻ¤েāĻ° āĻŽāĻ¤ āĻ†āĻ•া āĻļুāĻ°ু āĻ•āĻ°āĻ˛োāĻ†āĻ° āĻ“āĻĻিāĻ•ে āĻšিāĻ¤্āĻ°া āĻŦāĻ˛āĻ˛ো āĻĻেāĻ–ি āĻ¤োāĻŽাāĻ° āĻ¨াāĻ— āĻŦাāĻŦু āĻ•ি āĻ•āĻ°ে āĻ¸েāĻ‡ āĻ•āĻ–āĻ¨ āĻĨেāĻ•ে āĻĻেāĻ–āĻ›ি āĻ“āĻŸা āĻ˛াāĻĢাāĻ›āĻ›েāĻāĻ•āĻŸু āĻāĻ—িā§Ÿে āĻāĻ¸ো, āĻ¨াāĻ— āĻŦাāĻŦু āĻāĻ•āĻŸু āĻāĻ—িā§Ÿে āĻšিāĻ¤্āĻ°াāĻ° āĻ•াāĻ›ে āĻ†āĻ°ো āĻ—া āĻ˜েāĻ¸ে āĻŦāĻ¸āĻ˛োāĻšিāĻ¤্āĻ°া āĻĒাāĻž্āĻœাāĻŦি āĻ¸āĻ°িā§Ÿে āĻ¨িāĻšে āĻĨেāĻ•ে āĻŸাāĻ¨ āĻĻিā§Ÿে āĻĒাāĻœাāĻŽাāĻ° āĻĢিāĻ¤া āĻŸেāĻ¨ে āĻ–ুāĻ˛ে āĻ­িāĻ¤āĻ° āĻĨেāĻ•ে āĻ¨াāĻ— āĻŦাāĻŦুāĻ° āĻŦিāĻ¸াāĻ˛ āĻĢāĻ¨া āĻ¤োāĻ˛া āĻ¨াāĻ— āĻŸেāĻ¨ে āĻŦেāĻ° āĻ•āĻ°ে āĻĢেāĻ˛āĻ˛োāĻ†āĻ°ে āĻāĻ¤ো āĻ¸াāĻ™্āĻ˜াāĻ¤িāĻ• āĻœিāĻ¨িāĻ¸, āĻāĻ¤োāĻŦā§œ āĻ˜োā§œাāĻ° āĻĄাāĻ¨্āĻĄা āĻ†āĻŽি āĻ•āĻ–āĻ¨ো āĻĻেāĻ–িāĻ¨িāĻ°াāĻ¸্āĻ¤াā§Ÿ āĻ˜োā§œাāĻ° āĻĄাāĻŖ্āĻĄা āĻĻেāĻ–ে āĻŽāĻ¨ে āĻšā§ŸেāĻ›ে āĻ‡āĻ¸āĻ¸āĻ¸ āĻ†āĻŽি āĻ¯āĻĻি āĻ“āĻ‡ āĻ°āĻ•āĻŽ āĻāĻ•āĻŸা āĻĄাāĻ¨্āĻĄা āĻĻিā§Ÿে āĻšোāĻĻা āĻ–েāĻ¤ে āĻĒাāĻ°āĻ¤াāĻŽ āĻ¤াāĻšāĻ˛ে āĻ­াāĻ˛ো āĻ˛āĻ—āĻ¤ো āĻļাāĻ¨্āĻ¤ি āĻĒেāĻ¤াāĻŽ āĻ•āĻ¤ āĻ˛েāĻ“ā§œাāĻ‡āĻ¤ো āĻĻেāĻ–āĻ˛েāĻŽ āĻāĻ•āĻŸাāĻ“ āĻŽāĻ¨েāĻ° āĻŽāĻ¤ āĻ˛েāĻ“ā§œা āĻĒেāĻ˛াāĻŽ āĻ¨াāĻ†āĻ›āĻ›া āĻāĻŸা āĻĻেāĻ–āĻ¤ে āĻ¤ো āĻŦেāĻļ āĻāĻ•ে āĻŦাāĻ°ে āĻ—োāĻ–āĻ°াāĻ° āĻŽāĻ¤ āĻĢāĻ¨া āĻ¤ুāĻ˛ে āĻĢোāĻ¸ āĻĢোāĻ¸ āĻ•āĻ°āĻ›ে āĻ•িāĻ¨্āĻ¤ু āĻ•াāĻœে āĻ•েāĻŽāĻ¨? āĻ¸েāĻ¤ো āĻĄাāĻ°āĻ˛িং āĻ¤ুāĻŽি āĻāĻ•āĻŸু āĻĒāĻ°েāĻ‡ āĻĻেāĻ–āĻŦে āĻŦāĻ˛ে āĻ¨াāĻ— āĻ¤াāĻ°াāĻ¤াāĻ°ি āĻ•āĻ°াāĻ° āĻœāĻ¨্āĻ¯ে āĻļাāĻ°িāĻ° āĻ¨িāĻšে āĻĻিā§Ÿে āĻšিāĻ¤্āĻ°াāĻ° āĻ­োāĻĻাāĻ° āĻŽāĻ§্āĻ¯ে āĻ†āĻ™্āĻ—ুāĻ˛ āĻĸুāĻ•িā§Ÿে āĻĻিāĻ˛ো āĻ†āĻ°ে āĻāĻ•ি āĻĄাāĻ°āĻ˛িং āĻ¤োāĻŽাāĻ° āĻĻেāĻ–ি āĻ­েāĻ¸ে āĻœাāĻ›āĻ›ে āĻšāĻ˛ āĻļিāĻ—āĻ—িāĻ° āĻĸুāĻ•াāĻ¤ে āĻšāĻŦে āĻŦāĻ˛েāĻ‡ āĻ¸োāĻĢাāĻ° āĻ‰āĻĒāĻ° āĻšিāĻ¤্āĻ°াāĻ•ে āĻļূā§Ÿে āĻĻিā§Ÿে āĻĒেāĻŸিāĻ•োāĻŸ āĻļাāĻ°ি āĻ‰āĻĒāĻ°ে āĻŸেāĻ¨ে āĻ‰āĻ িā§Ÿে āĻ˜োā§œাāĻ° āĻŽāĻ¤ āĻ˛āĻŽ্āĻŦা āĻŽোāĻŸা āĻ§োāĻ¨ āĻĒāĻ• āĻĒāĻ• āĻ•āĻ°ে āĻāĻ• āĻ§াāĻ•্āĻ•াā§Ÿ āĻĸুāĻ•িā§Ÿে āĻĻিāĻ˛, āĻ“āĻ° āĻāĻ• āĻĒা āĻŽেāĻেāĻ¤ে āĻ†āĻ° āĻāĻ• āĻĒা āĻ¸োāĻĢাāĻ° āĻĒাāĻļে ,āĻ†āĻ° āĻšিāĻ¤্āĻ°া āĻ¤াāĻ° āĻāĻ• āĻĒা āĻ¸োāĻĢাāĻ° āĻŦ্āĻ¯াāĻ•েāĻ° āĻ‰āĻĒāĻ°ে āĻ‰āĻ িā§Ÿে āĻĻিā§ŸেāĻ›ে āĻ†āĻ° āĻāĻ• āĻšাāĻŸু āĻ­াāĻœ āĻ•āĻ°ে āĻ°েāĻ–েāĻ›েāĻĄাāĻ¨্āĻĄা āĻĸুāĻ•াāĻ° āĻ¸াāĻĨে āĻ¸াāĻĨে āĻšিāĻ¤্āĻ°া āĻ†āĻšāĻšāĻšāĻšāĻšāĻšāĻšāĻšāĻšāĻšāĻšāĻš āĻ•āĻ°ে āĻāĻ•āĻŸা āĻļāĻŦ্āĻĻ āĻ•āĻ°āĻ˛ো ,āĻŦāĻ˛āĻ˛ো āĻš্āĻ¯া āĻāĻŦাāĻ°ে āĻŽাāĻ°ো āĻ§াāĻ•্āĻ•া, āĻ•ুāĻ‡āĻ• āĻ•ুāĻ‡āĻ• āĻŽাāĻ°্‌, āĻ•ি āĻšোāĻ˛ āĻĻুāĻ§ āĻ›েāĻ°ে āĻĻিāĻ˛ে āĻ•েāĻ¨? āĻ–āĻŦāĻ°āĻĻাāĻ° āĻāĻ•āĻŸুāĻ° āĻœāĻ¨্āĻ¯েāĻ“ āĻĻুāĻ§ āĻ›াāĻ°āĻŦেāĻ¨া, āĻš্āĻ¯া āĻŽাāĻ°ো āĻšোāĻĻāĻ¨ āĻŽাāĻ°ো, āĻ†āĻšāĻšāĻšāĻšāĻšāĻšāĻš āĻ•ি āĻļাāĻ¨্āĻ¤ি āĻ¨াāĻ¨া āĻ°āĻ•āĻŽ āĻļāĻŦ্āĻĻ āĻ•āĻ°āĻ›ে āĻ†্‌āĻš, āĻ‰āĻš, āĻāĻ¸ো, āĻ†āĻšা āĻŽাāĻ°ো āĻŽাāĻ°ো, āĻšোāĻĻ āĻšো্‌āĻĻ, āĻœোā§œে āĻ†āĻ°ো āĻœোā§œে āĻ‡āĻ¸ āĻĻাāĻĻা āĻ¤ুāĻ‡ āĻ•ি āĻšোāĻĻāĻ¨ āĻĻিāĻ›āĻ›িāĻ¸āĻ°ে āĻ†āĻŽাāĻ•ে āĻāĻ‡ āĻšোāĻĻāĻ¨ āĻ†āĻœ āĻĒāĻ°āĻ¯āĻ¨্āĻ¤ āĻ•েāĻ‰ āĻĻিāĻ¤ে āĻĒাāĻ°েāĻ¨ি āĻ†āĻ°ে āĻ•ি āĻšুāĻĻāĻŦে āĻŦāĻ˛, āĻ¨িāĻ–িāĻ˛ āĻ¯া āĻ§āĻ°ে āĻ†āĻ¨ে āĻ“āĻĻেāĻ° āĻ•াāĻ°ো āĻ§োāĻ¨ āĻ†āĻ›ে āĻ¨াāĻ•ি? āĻ¸াāĻŦ āĻŽাāĻ—ি āĻ§āĻ°ে āĻ§āĻ°ে āĻ†āĻ¨ে, āĻšাāĻĒা āĻ•āĻ˛াāĻ° āĻŽāĻ¤ āĻ¤িāĻ¨ āĻ†āĻ™্āĻ—ুāĻ˛েāĻ° āĻ¸āĻŽাāĻ¨ āĻ§োāĻ¨ āĻ“āĻ‡ āĻ§োāĻ¨েāĻ° āĻšোāĻĻāĻ¨ āĻ–েā§Ÿে āĻ•ি āĻŽāĻœা āĻĒাāĻ“ā§Ÿা āĻ¯াā§Ÿ? āĻ•āĻ¤ āĻŦāĻ˛ি āĻ†āĻŽাāĻ•ে āĻŦেāĻ° āĻšāĻ¤ে āĻĻাāĻ“ āĻ¨া āĻ¤াāĻ¤ে āĻ‰āĻ¨াāĻ° āĻ¸āĻ¨্āĻŽাāĻ¨ āĻšাāĻ¨ি āĻšāĻŦে āĻ†āĻ°ে āĻŦ্āĻ¯াāĻŸা āĻ›েāĻ˛ে āĻ•ি āĻ§োāĻ¨ āĻšিāĻ¨ে? āĻ§োāĻ¨ āĻšিāĻ¨ি āĻ†āĻŽিāĻ•āĻ¤ āĻĻিāĻ¨ āĻĻাāĻĻা āĻ¤োāĻŽাāĻ•ে āĻ°াāĻ¸্āĻ¤া āĻĻিā§Ÿে āĻ¯েāĻ¤ে āĻĻেāĻ–েāĻ›ি āĻ†āĻ° āĻ­েāĻŦেāĻ›ি āĻ¨িāĻ–িāĻ˛ āĻ•ি āĻ¤োāĻŽাāĻ•ে āĻĻেāĻ–েāĻ¨া? āĻ¤োāĻŽাāĻ° āĻĄাāĻ¨্āĻĄা āĻ¯ে āĻ†āĻŽাāĻ° āĻŽāĻ¨েāĻ° āĻŽāĻ¤ āĻ¤া āĻ†āĻŽি āĻ¤োāĻŽাāĻ•ে āĻĻেāĻ–েāĻ‡ āĻŦুāĻেāĻ›ি āĻ•িāĻ¨্āĻ¤ু āĻ•ি āĻ•āĻ°āĻŦো āĻ¤ুāĻŽিāĻ¤ো āĻ†āĻ° āĻ†āĻ¸োāĻ¨াāĻ†āĻœ āĻ¯āĻ–āĻ¨ āĻāĻ¸েāĻ› āĻ­াāĻ˛ো āĻ•āĻ°ে āĻšুāĻĻāĻŦে āĻ†āĻŽাāĻ•েāĻ¸াāĻ°া āĻ°াāĻ¤ āĻ­āĻ°ে āĻšুāĻĻāĻŦে, āĻ•ি āĻĒাāĻ°āĻŦেāĻ¨া? āĻŦাāĻ¸াā§Ÿ āĻ¯েāĻ¤ে āĻšāĻŦে āĻ¨াāĻ•ি āĻ†āĻŦাāĻ°āĻ¤োāĻŽাāĻ° āĻŦৌāĻ•ি āĻŦāĻ¸ে āĻĨাāĻ•āĻŦে? āĻŦৌāĻ•ে āĻ†āĻœ āĻ¨া āĻšুāĻĻāĻ˛ে āĻšāĻŦেāĻ¨া?āĻ†āĻ°ে āĻ•ি āĻ¯ে āĻŦāĻ˛ āĻŦৌāĻĻি āĻ“āĻ¤ো āĻāĻ‡ āĻ§োāĻ¨ āĻ¸āĻš্āĻ¯āĻ‡ āĻ•āĻ°āĻ¤ে āĻĒাāĻ°েāĻ¨া, āĻ•োāĻ¨ āĻ°āĻ•āĻŽ āĻāĻ‡ āĻŽাāĻĨাāĻŸা āĻāĻ•āĻŸু āĻĸোāĻ•াāĻ˛েāĻ‡ āĻ›েāĻ°ে āĻĻাāĻ“ āĻ›েāĻ°ে āĻĻাāĻ“ āĻŦāĻ˛ে āĻšিāĻ¤āĻ•াāĻ° āĻļুāĻ°ু āĻ•āĻ°েāĻ†āĻ›āĻ›া āĻŦৌāĻĻি āĻ¤ুāĻŽি āĻāĻ‡ āĻ¯ে āĻāĻ–āĻ¨ āĻĒুāĻ°ো āĻĄাāĻ¨্āĻĄা āĻĻিā§Ÿে āĻšোāĻĻাāĻ›āĻ› āĻ•েāĻŽāĻ¨ āĻ˛াāĻ—āĻ›ে āĻ¤োāĻŽাāĻ°āĻ†āĻšাāĻ°ে āĻ†āĻŽাāĻ° āĻŽāĻ°āĻĻāĻ°ে āĻ•িāĻ›ুāĻ‡ āĻ¯েāĻ¨ āĻŦুāĻেāĻ¨া āĻĻাāĻĻা, āĻ¤ুāĻŽি āĻ¯ে āĻ•āĻ¤ āĻ¸ুāĻ– āĻĻিāĻ›āĻ› āĻ•āĻ¤ āĻ¸ুāĻ– āĻ¯ে āĻĒাāĻ›āĻ›ি āĻ‡āĻ¸āĻ¸āĻ¸ āĻ†āĻšāĻšāĻšāĻš āĻŦāĻ˛েāĻ‡ āĻ¨াāĻ— āĻŦাāĻŦুāĻ° āĻŽুāĻ– āĻ•াāĻ›ে āĻŸেāĻ¨ে āĻ¨িā§Ÿে āĻšুāĻŽা āĻ–েāĻ¤ে āĻ˛াāĻ—āĻ˛ো āĻ†āĻšাāĻ°ে āĻĻাāĻĻাāĻ°ে, āĻ•āĻ¤ āĻ¸ুāĻ–āĻ°ে āĻ†āĻšāĻšāĻš āĻĻাāĻĻা āĻšোāĻĻ āĻāĻ¤ো āĻĻিāĻ¨ āĻĒāĻ°ে āĻ¤ুāĻŽি āĻāĻ˛ে āĻĻাāĻĻা āĻšোāĻĻ āĻšোāĻĻ āĻœোāĻ°ে āĻœোāĻ°ে āĻ ্āĻ¯াāĻ˛া āĻŽাāĻ°,āĻš্āĻ¯া āĻ†āĻ°ো āĻœোāĻ°ে, āĻāĻ•েāĻŦাāĻ°ে āĻ¤োāĻŽাāĻ° āĻĄাāĻ¨্āĻĄাāĻ° āĻŽাāĻĨা āĻ†āĻŽাāĻ° āĻŽুāĻ– āĻĻিā§Ÿে āĻŦেāĻ° āĻ•āĻ°ে āĻĻাāĻ“, āĻŽাāĻ° āĻ ্āĻ¯াāĻ˛াāĻĻাāĻĻা āĻŦৌāĻĻিāĻ° āĻ•āĻĨাā§Ÿ āĻ‰āĻ¤āĻ¸াāĻš āĻĒেā§Ÿে āĻŽāĻ¨েāĻ° āĻŽāĻ¤ āĻ­ূāĻĻা āĻĒেā§Ÿে āĻ াāĻĒাāĻ›āĻ›েāĻ¨ āĻšেāĻ‡āĻ“ āĻšেāĻ‡āĻ“ āĻ•āĻ°ে, āĻšুāĻ‰āĻ¨āĻ• āĻšুāĻ‰āĻ¨āĻ• āĻ•āĻ°েāĻ¨ে āĻŽাāĻ—ি āĻ¨ে āĻ¤ুāĻ‡ āĻāĻ‡ āĻĄাāĻ¨্āĻĄা āĻ¸āĻŦ āĻ¨িā§Ÿে āĻ¨ে āĻ†āĻœ āĻ¸āĻŦāĻ‡ āĻ¤োāĻ° āĻ•ি āĻŦāĻ˛ āĻĻাāĻĻা, āĻļুāĻ§ু āĻ†āĻœāĻ‡ āĻĻিāĻŦে āĻ†āĻ° āĻ†āĻ¸āĻŦেāĻ¨া? āĻ•েāĻ¨ āĻ†āĻ¸āĻŦোāĻ¨া āĻ†āĻ¸āĻŦো āĻ¤োāĻŽাāĻ•ে āĻšুāĻĻে āĻ¯ে āĻ¸ুāĻ– āĻĒাāĻ›āĻ›ি āĻŦিāĻ¸্āĻŦাāĻ¸ āĻ•āĻ° āĻ†āĻŽিāĻ“ āĻāĻ¯াāĻŦāĻ¤ āĻ¸েāĻ°āĻ•āĻŽ āĻ¸ুāĻ– āĻĒাāĻ‡āĻ¨ি āĻ˜āĻ°ে āĻ¯েāĻŸা āĻ†āĻ›ে āĻ¸েāĻŸাāĻ¤ো āĻāĻ•āĻŸা āĻ¨া āĻŽাāĻ—ি, āĻ¨া āĻ†āĻ° āĻ•িāĻ›ুāĻ“āĻŸাāĻ•ে āĻšুāĻĻা āĻ¯াā§Ÿ āĻ¨া, āĻ¸োāĻ¨া āĻ—াāĻ›ি āĻ—েāĻ›ি āĻ¸েāĻ–াāĻ¨েāĻ“ āĻāĻŽāĻ¨ āĻ­ুāĻĻা āĻĒাāĻ‡āĻ¨ি, āĻ¤োāĻŽাāĻ° āĻ­ুāĻĻা āĻāĻ•্āĻ•েāĻŦাāĻ°ে āĻ†āĻŽাāĻ° āĻŽāĻ¨েāĻ° āĻŽāĻ¤ āĻ­ুāĻĻা āĻ াāĻĒিā§Ÿে āĻ¯ে āĻ•ি āĻ†ā§œাāĻŽ āĻ†āĻŦাāĻ° āĻšুāĻ¨āĻ• āĻšুāĻ¨āĻ•āĻšāĻ›āĻ›ে āĻŦৌāĻĻি? āĻšāĻ›āĻ›ে āĻŽাāĻ¨ে āĻ•ি āĻĒাāĻ°āĻĢেāĻ•্āĻŸāĻ˛ি āĻšāĻ›āĻ›ে āĻšাāĻ˛িā§Ÿে āĻ¯াāĻ“ āĻĻাāĻĻা āĻšাāĻ˛াāĻ“, āĻ¤ুāĻŽি āĻ°োāĻœ āĻ†āĻ¸āĻŦে āĻ†āĻŽাāĻ° āĻ•াāĻ›ে, āĻ†āĻŽি āĻ†āĻœāĻ‡ āĻ¨িāĻ–িāĻ˛āĻ•ে āĻŦāĻ˛ে āĻĻিāĻŦ āĻ“ āĻ¯েāĻ¨ āĻ†āĻ° āĻ•োāĻ¨ āĻŽাāĻ—ি āĻ§āĻ°ে āĻ¨া āĻ†āĻ¨ে āĻļাāĻ˛া āĻšাāĻ°াāĻŽি āĻ¨িāĻœেāĻ¤ো āĻ•িāĻ›ু āĻĒাāĻ°েāĻ¨া āĻ†āĻŽাāĻ•ে āĻāĻ•āĻŸা āĻ­াāĻ˛ো āĻ§োāĻ¨ āĻāĻ¨েāĻ“ āĻĻিāĻ¤ে āĻĒাāĻ°েāĻ¨াāĻœাāĻ¨ āĻĻাāĻĻা āĻ—āĻ¤āĻ•াāĻ˛ āĻ•াāĻ‰āĻ•ে āĻ¨া āĻĒেā§Ÿে āĻāĻ•āĻŸা āĻŽুāĻ°āĻļিāĻĻাāĻŦাāĻĻি āĻ¸াāĻ—āĻ° āĻ•āĻ˛া āĻ¨িā§Ÿে āĻāĻ¸েāĻ›ে āĻ“āĻ‡ āĻĻিā§ŸেāĻ‡ āĻšাāĻ˛িā§Ÿে āĻ¨িā§ŸেāĻ›ি āĻ•োāĻ¨ āĻ°āĻ•āĻŽāĻ¨া āĻ¨া āĻ•ি āĻ¯ে āĻŦāĻ˛ āĻŦৌāĻĻি āĻ†āĻŽাāĻ° āĻāĻ‡ āĻŦāĻ°āĻ§āĻŽাāĻ¨ি āĻ•āĻ˛া āĻĨাāĻ•āĻ¤ে āĻ¤ুāĻŽি āĻ…āĻ¨্āĻ¯ āĻ•āĻ˛া āĻ•েāĻ¨ āĻ–াāĻŦেāĻ¤োāĻŽাāĻ° āĻ¯āĻ–āĻ¨ āĻĻāĻ°āĻ•াāĻ° āĻšāĻŦে āĻ†āĻŽাāĻ•ে āĻ“āĻ‡ āĻœাāĻ¨াāĻ˛া āĻĻিā§Ÿে āĻāĻ•āĻŸু āĻ‡āĻ¸াāĻ°া āĻĻিāĻŦেāĻĻেāĻ–ি āĻĻাāĻĻা āĻ¤োāĻŽাāĻ° āĻ¨াāĻ—āĻŸা āĻāĻ•āĻŸু āĻ†āĻŽাāĻ° āĻ¸াāĻŽāĻ¨ে āĻ†āĻ¨োāĻ¤োāĻāĻ–āĻ¨ āĻ¨া āĻŦৌāĻĻি āĻāĻ–āĻ¨ āĻšুāĻĻāĻ›িāĻ¤ো , āĻšোāĻĻāĻ¨ āĻ­েāĻ™্āĻ—ে āĻ¯াāĻŦে āĻāĻ•āĻŸু āĻĒāĻ°ে āĻĻেāĻ–āĻŦে āĻŦৌāĻĻি āĻŦāĻ˛েāĻ‡ āĻ¨āĻ¤ুāĻ¨ āĻ‰āĻĻ্āĻĻ্āĻ¯āĻŽে āĻŦৌāĻĻিāĻ° āĻĻুāĻ§ āĻ§āĻ°ে āĻ†āĻŦাāĻ° āĻšāĻ™্āĻ• āĻšুংāĻ• āĻ•āĻ°ে āĻ াāĻĒাāĻ¤ে āĻ˛াāĻ—āĻ˛েāĻ¨āĻŦৌāĻĻি āĻāĻ–াāĻ¨ে āĻ…āĻ¸ুāĻŦিāĻ§া āĻšāĻ›āĻ›ে, āĻšāĻ˛ āĻĢ্āĻ˛োāĻ°ে āĻ¨েāĻŽে āĻ•āĻ°ি āĻš্āĻ¯া āĻš্āĻ¯া āĻ¤াāĻ‡ āĻšāĻ˛ āĻŦāĻ˛ে āĻŦৌāĻĻি āĻ¨িāĻœেāĻ° āĻšাāĻ¤ে āĻĄাāĻ¨্āĻĄা āĻ§āĻ°ে āĻ›ুāĻŸিā§Ÿে āĻŦাāĻ‡āĻ°ে āĻāĻ¨ে āĻšাāĻ¤েāĻ° āĻ¸াāĻĨে āĻŽিāĻ˛িā§Ÿে āĻĻেāĻ–āĻ˛ো, āĻ¸াāĻŦাāĻ¸ āĻĻাāĻĻা āĻ¤োāĻ° āĻĄাāĻ¨্āĻĄা āĻĻেāĻ– āĻāĻ‡ āĻ†āĻŽাāĻ° āĻŽুāĻ āĻšাāĻ¤েāĻ°āĻ“ āĻŦেāĻļি āĻŦāĻ˛েāĻ‡ āĻ…āĻŽৃāĻ¤ āĻ°āĻ¸ে āĻ­েāĻœা āĻŽাāĻĨাāĻŸা āĻŽুāĻ–ে āĻ¨িā§Ÿে āĻšুāĻŽা āĻ–েāĻ¤ে āĻ–েāĻ¤ে āĻšুāĻˇāĻ¤ে āĻ˛াāĻ—āĻ˛āĻ†āĻšা āĻŦৌāĻĻি āĻ•ি āĻ•āĻ°āĻ›, āĻĻাāĻ°াāĻ“ āĻāĻ•āĻŸু āĻĻেāĻ–ে āĻ¨িāĻ˛াāĻŽ āĻ•āĻ¤ āĻŽোāĻŸা āĻ†āĻ° āĻ•āĻ¤ āĻŦā§œ āĻāĻ‡āĻ°āĻ•āĻŽ āĻ¨া āĻšāĻ˛ে āĻ•ি āĻ˛েāĻ“ā§œা āĻšā§Ÿ? āĻŦৌāĻĻি āĻ‰āĻ ে āĻĢ্āĻ˛োāĻ°েāĻ‡ āĻļুā§Ÿে āĻĒāĻ°āĻ˛ো āĻāĻŦাāĻ° āĻ¨াāĻ— āĻŦাāĻŦু āĻ†āĻ°াāĻŽ āĻ•āĻ°ে āĻļāĻ•্āĻ¤ āĻ•āĻ°ে āĻĻুāĻ§ āĻ§āĻ°ে āĻšেāĻ‡āĻ“ āĻšেāĻ‡āĻ“ āĻšোāĻĻ āĻšোāĻĻ āĻŦৌāĻĻিāĻ°ে āĻšোāĻĻ āĻ˜োā§œাāĻ° āĻŽāĻ¤ āĻ˛āĻŽ্āĻŦা āĻ§োāĻ¨ āĻĻিā§Ÿে āĻšোāĻĻ, āĻ›ā§œা āĻ—াāĻ‡āĻ¤ে āĻ—াāĻ‡āĻ¤ে āĻ াāĻĒাāĻ›āĻ›ে āĻ†āĻ° āĻŦৌāĻĻি āĻ¨িāĻšে āĻļুā§Ÿে āĻ†āĻšāĻšāĻš āĻĻাāĻĻা āĻ•ি āĻĻিāĻ˛িāĻ°ে āĻ†āĻŽাāĻ•ে, āĻĻে āĻĻে āĻ†āĻ°ো āĻĻে āĻ¤োāĻ° āĻšোāĻĻāĻ¨েāĻ° āĻ§াāĻ°াāĻ‡ āĻ­িāĻ¨্āĻ¨, āĻšোāĻĻ āĻĻাāĻĻা, āĻ¤ুāĻ‡ āĻĻাāĻĻা āĻ–াāĻŸি āĻŽāĻ°āĻĻ āĻ†āĻœ āĻ†āĻ¸ুāĻ• āĻ¨িāĻ–িāĻ˛ āĻ“āĻ•ে āĻĻেāĻ–াāĻŦো āĻĻেāĻ– āĻŽāĻ°āĻĻ āĻ•াāĻ•ে āĻŦāĻ˛ে, āĻ•ি āĻšোāĻĻāĻ¨ āĻĻিā§Ÿে āĻ—েāĻ›ে āĻ†āĻšāĻšāĻš āĻ‰āĻšāĻšāĻšāĻšāĻš āĻĻাāĻĻা āĻ•ি āĻĻিāĻ˛ি āĻ†āĻŽাāĻ•ে, āĻĻে āĻĻে āĻ†āĻ°ো āĻĻে āĻ¸াāĻŦাāĻ¸ āĻŽāĻ°āĻĻ āĻĻে, āĻ†āĻšāĻšāĻšāĻšāĻš āĻ†āĻ°ো āĻĻে āĻ‡āĻšāĻšāĻšāĻšāĻšāĻšāĻšāĻšāĻšāĻŦিāĻļাāĻ˛ āĻĄাāĻ¨্āĻĄা āĻāĻ¤োāĻ•্āĻˇāĻ¨ āĻšুāĻĻে āĻšুāĻĻে āĻāĻŦাāĻ° āĻšāĻ°āĻŽ āĻĒāĻ°āĻ¯াā§Ÿে āĻāĻ˛ো, āĻš্āĻ¯াāĻ°ে āĻŦৌāĻĻি āĻ¤োāĻŽাāĻ° āĻ•ি āĻ…āĻŦāĻ¸্āĻĨা āĻ†āĻŽাāĻ° āĻĒ্āĻ°াā§Ÿ āĻšā§Ÿে āĻ†āĻ¸āĻ›ে āĻš্āĻ¯াāĻ°ে āĻĻাāĻĻা āĻ†āĻŽāĻ°ো āĻ¤াāĻ‡āĻ¤াāĻšāĻ˛ে āĻ•ি āĻ•āĻ°āĻŦো āĻāĻ–āĻ¨ āĻ•ি āĻ•āĻ°āĻŦে āĻŽাāĻ¨ে āĻ•ি, āĻĸেāĻ˛ে āĻĻে āĻ­ূāĻĻাāĻ° āĻŽāĻĻ্āĻ§্āĻ¯ে āĻĸেāĻ˛ে āĻĻে āĻĻাāĻĻা āĻ¤ুāĻ‡ āĻ†āĻŽাāĻ° āĻ­ূāĻĻাāĻ° āĻ­িāĻ¤āĻ°ে āĻ¤োāĻ° āĻŦীāĻœ āĻĸেāĻ˛ে āĻĻে āĻ¤োāĻ° āĻ•াāĻ› āĻĨেāĻ•ে āĻāĻ•āĻŸা āĻŦাāĻš্āĻšা āĻĒেāĻ˛ে āĻ†āĻŽাāĻ° āĻ­াāĻ˛ো āĻ˛াāĻ—āĻŦে, āĻ¸াāĻ°া āĻœীāĻŦāĻ¨ āĻ¤োāĻ° āĻ¸্āĻŽৃāĻ¤ি āĻĨাāĻ•āĻŦেāĻĸেāĻ˛ে āĻĻে āĻĻাāĻĻা āĻ¤ুāĻ‡ āĻ•ৃāĻĒāĻ¨āĻ¤া āĻ•āĻ°িāĻ¸āĻ¨ে āĻĻাāĻĻা āĻĸেāĻ˛ে āĻĻে āĻ¸āĻŦāĻŸুāĻ•ি āĻĸেāĻ˛ে āĻĻেāĻ¨াāĻ— āĻŦাāĻŦু āĻ†āĻ°ো āĻœোāĻ°ে āĻ াāĻĒাāĻ¤ে āĻ াāĻĒাāĻ¤ে āĻŦিāĻ¸াāĻ˛ āĻĄাāĻ¨্āĻĄা āĻĻিā§Ÿে āĻিāĻ˛িāĻ• āĻিāĻ˛িāĻ• āĻ•āĻ°ে āĻ§াāĻ¤ু āĻĸেāĻ˛ে āĻĻিāĻ›āĻ›ে āĻĻুāĻ§ āĻ—ুāĻ˛ি āĻ†āĻ°ো āĻœোā§œে āĻšেāĻĒে āĻ§āĻ°েāĻ›ে āĻŦৌāĻĻি āĻšাāĻ¤ āĻĻিā§Ÿে āĻĻাāĻĻাāĻ° āĻĒিāĻ ে āĻšেāĻĒে āĻ§āĻ°ে āĻ°েāĻ–েāĻ›, āĻĻাāĻĻা āĻ•āĻ¤ āĻ—ুāĻ˛ি āĻĻিā§ŸেāĻ›িāĻ¸? āĻāĻ•āĻ—্āĻ˛াāĻļ āĻšāĻŦে? āĻ…āĻ¨েāĻ•āĻ•্āĻˇāĻ¨ āĻ­ুāĻĻাāĻ° āĻ¸াāĻĨে āĻšেāĻĒে āĻ§āĻ°ে āĻ°েāĻ–ে āĻĻিā§Ÿে āĻāĻŦাāĻ°ে āĻ‰āĻ ি āĻŦৌāĻĻি, āĻ“āĻ  āĻĻাāĻĻাāĻ¨াāĻ— āĻŦাāĻŦু āĻ‰āĻ েāĻ‡ āĻŦāĻ˛āĻ˛ āĻŦৌāĻĻি āĻŽুāĻ›āĻŦো āĻ•ি āĻĻিā§Ÿে? āĻ†āĻ° āĻĻাāĻĻা āĻ†āĻŽাāĻ° āĻāĻ‡ āĻĒেāĻŸিāĻ•োāĻŸ āĻĻিā§ŸেāĻ‡ āĻŽুāĻ›ে āĻĢেāĻ˛āĻĻাāĻĻাāĻ•ে āĻ‰āĻ িā§Ÿে āĻĻিā§Ÿে āĻĒাāĻļেāĻ° āĻŸেāĻŦিāĻ˛ āĻĨেāĻ•ে āĻāĻ•āĻŸা āĻ…āĻ¸āĻŽাāĻĒ্āĻ¤ āĻŦিā§ŸাāĻ°েāĻ° āĻ—্āĻ˛াāĻļ্ āĻ­ূāĻĻাāĻ° āĻ¨িāĻšে āĻ§āĻ°āĻ˛ো āĻŦৌāĻĻি āĻ—āĻ°িā§Ÿে āĻ—āĻ°িā§Ÿে āĻ§াāĻ¤ু āĻ—ুāĻ˛ি āĻ—্āĻ˛াāĻļে āĻœāĻŽা āĻšোāĻ˛āĻ¨েāĻ¤িā§Ÿে āĻ†āĻ¸া āĻļুāĻ•āĻ¨ো āĻ§োāĻ¨āĻŸা āĻŦৌāĻĻিāĻ° āĻ¸াāĻŽāĻ¨ে āĻুāĻ˛āĻ›িāĻ˛ো āĻŸেāĻ¨ে āĻ•াāĻ›ে āĻāĻ¨ে āĻ§োāĻ¨েāĻ° āĻ¨িāĻšে āĻ—্āĻ˛াāĻļ āĻāĻ¨ে āĻ¸েāĻŸাā§Ÿ āĻ§োāĻ¨ āĻ­িāĻœিā§Ÿে āĻŦোāĻ‰āĻĻি āĻāĻ–āĻ¨ āĻŦিā§œাāĻ˛েāĻ° āĻŽāĻ¤ āĻšেāĻŸে āĻšুāĻˇে āĻ–াāĻ›āĻ›ে āĻāĻ•āĻŸু āĻ–েā§Ÿে āĻĻেāĻ–āĻŦি āĻĻাāĻĻা āĻĻেāĻ– āĻŦিā§ŸাāĻ° āĻ†āĻ° āĻ¤োāĻŽাāĻ° āĻŽাāĻ˛ āĻŽিāĻļে āĻ•ি āĻŽāĻœাāĻ° āĻ•āĻ•āĻŸেāĻ˛ āĻšā§ŸেāĻ›ে āĻĻেāĻ– āĻāĻ•āĻŸু, āĻŦāĻ˛েāĻ‡ āĻ—্āĻ˛াāĻļāĻŸা āĻ¨াāĻ— āĻŦাāĻŦুāĻ° āĻŽুāĻ–ে āĻ§āĻ°āĻ˛ো āĻ¨া āĻŦৌāĻĻি āĻāĻ­াāĻŦে āĻ¨া, āĻāĻ° āĻ¸াāĻĨে āĻāĻ•āĻŸু āĻ•োāĻ• āĻŽিāĻļিā§Ÿে āĻ¨াāĻ“ āĻĻেāĻ–āĻŦে āĻ•েāĻŽāĻ¨ āĻ˛াāĻ—ে āĻĻাāĻ°াāĻ“ āĻ†āĻŽি āĻĻেāĻ–াāĻ›āĻ›ি āĻŦāĻ˛ে āĻĒাāĻļেāĻ° āĻŦোāĻ¤āĻ˛ āĻĨেāĻ•ে āĻāĻ•āĻŸু āĻ•োāĻ• āĻŽিāĻļিā§Ÿে āĻ¨িāĻšু āĻšā§Ÿে āĻŦāĻ¸ে āĻŦৌāĻĻিāĻ° āĻĻুāĻ§ āĻ—ুāĻ˛ি āĻšেāĻĒে āĻ§āĻ°ে āĻ¤াāĻ° āĻ‰āĻĒāĻ° āĻāĻ•āĻŸু āĻĸেāĻ˛ে āĻĻিā§Ÿে āĻ“āĻ–াāĻ¨ āĻĨেāĻ•ে āĻšেāĻŸে āĻšেāĻŸে āĻ–েā§Ÿে āĻ¨িāĻ˛োāĻĻুāĻœāĻ¨ে āĻ‰āĻ ে āĻ¸োāĻĢাā§Ÿ āĻĒাāĻļাāĻĒাāĻļি āĻŦāĻ¸ে āĻŦāĻ¸ে āĻāĻ‡ āĻ¸āĻŦ āĻšূāĻĻা āĻšুāĻĻিāĻ° āĻĒ্āĻ°āĻ¸āĻ™্āĻ—ে āĻ—āĻ˛্āĻĒ āĻ•āĻ°āĻ›িāĻ˛ো āĻāĻ‡ āĻ•াāĻ° āĻ¸াāĻĨে āĻ•āĻŦে āĻ•েāĻŽāĻ¨ āĻ•āĻ°ে āĻ•āĻ°েāĻ›ে āĻ•েāĻŽāĻ¨ āĻ˛েāĻ—েāĻ›ে āĻāĻ‡ āĻ¸āĻŦāĻ¨াāĻ—āĻŦাāĻŦু āĻŦৌāĻĻিāĻ•ে āĻ¤াāĻ° āĻ°াāĻ¨েāĻ° āĻ‰āĻĒāĻ°ে āĻļুāĻ‡ā§Ÿে āĻĻিā§Ÿে āĻ†āĻĻāĻ° āĻ•āĻ°āĻ›িāĻ˛ো āĻ†āĻ° āĻŦিā§ŸাāĻ° āĻ–াāĻ›āĻ›িāĻ˛োāĻŦৌāĻĻি āĻ‰āĻ ে āĻĒāĻ°ে āĻŦāĻ˛āĻ˛ো āĻŽāĻ¨ে āĻšā§Ÿ āĻ¤োāĻŽাāĻ° āĻ•্āĻˇিāĻ§ে āĻ˛েāĻ—েāĻ›ে āĻĻাāĻ°াāĻ“ āĻ†āĻŽি āĻ†āĻ¸āĻ›িāĻ•িāĻšেāĻ¨ে āĻ—িā§Ÿে āĻĻুāĻ‡āĻŸা āĻ¸্āĻ¯াāĻ¨্āĻĄুāĻ‡āĻš āĻ†āĻ° āĻĢ্āĻ°ীāĻœ āĻĨেāĻ•ে āĻ•িāĻ›ু āĻŽিāĻˇ্āĻŸি āĻāĻ¨ে āĻ¸াāĻŽāĻ¨ে āĻ°েāĻ–ে āĻŦāĻ˛āĻ˛ āĻ¨াāĻ“ āĻ–াāĻ“


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